Shreedar Phadke, Ranjana Joglekar's 'Shree Swami Samartha Jai Jai Swami Samartha 1' had a release date set for December 15, 2000. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 6 in the song's album "Shree Swami Samartha Jai Jai Swami Samartha". In this album, this song's track order is #1. Furthermore, we believe that the track originated from India. The popularity of Shree Swami Samartha Jai Jai Swami Samartha 1 is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Shree Swami Samartha Jai Jai Swami Samartha 1 by Shreedar Phadke, Ranjana Joglekar having a BPM of 177 with a half-time of 88 BPM and a double-time of 354 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 1/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gajanan Maharaj Ashtak | Mugdha Vaishampayan | F Minor | 0 | 4A | 69 BPM | ||
| Kasa Mala Taakuni Gela Ram | Bhimsen Joshi | D♭ Minor | 3 | 12A | 146 BPM | ||
| Nahi Punyachi Mojani | Jitendra Abhisheki | E Major | 4 | 12B | 80 BPM | ||
| Aarti Dattachi | Anuradha Paudwal, Ajit Kadkade | B♭ Major | 4 | 6B | 190 BPM | ||
| Tujhiya Prataarneche (feat. Ranjana Joglekar) | Dr Mukul Acharya, Dr Nitin Abhyankar, Ranjana Joglekar | D♭ Major | 5 | 3B | 142 BPM | ||
| Malhari Deva Malhari | Devdatt Sable | A♭ Minor | 4 | 1A | 195 BPM | ||
| Pandhariche Varkari | Mahadevbuva Shahabajkar | D Minor | 8 | 7A | 97 BPM | ||
| Vasyo Chhe Chogala Valo | Sadhus of BAPS | B Major | 5 | 1B | 120 BPM | ||
| Dev Maza Vithu Sawala | Suman Kalyanpur | A Major | 3 | 11B | 70 BPM | ||
| Khatarnak Raatra Aahe | Pratima Rao, Ranjana Joglekar | E♭ Minor | 5 | 2A | 102 BPM | ||
| San Shimgyacha Ala Ho | Ramesh Nakhwa, Pushpa Pagdhare | D♭ Major | 6 | 3B | 100 BPM | ||
| Aaji Soniyacha Dinu | Harichandra Patli | E♭ Major | 7 | 5B | 99 BPM | ||
| Vitthal Bhaktigeet - Dehachi Tijori | Mandar Apte | D Major | 5 | 10B | 140 BPM | ||
| Vittalachya Payi Vit | Pralahad Shinde | D♭ Minor | 5 | 12A | 166 BPM | ||
| Tujhe Prem Majhya | Vasant Ajgaonkar | D♭ Minor | 5 | 12A | 127 BPM | ||
| Roop Pahata Lochani | Ajit Kadkade | A♭ Minor | 6 | 1A | 173 BPM | ||
| Datta Namaacha Karuni Gajar | Mahesh Kale | C Major | 7 | 8B | 78 BPM | ||
| Man Lago Re Lago Guru Bhajani | Swapnil Bandolkar | E♭ Minor | 7 | 2A | 93 BPM | ||
| Koushalyecha Ram Bai | Manik Varma | G Major | 5 | 9B | 128 BPM | ||
| Ganraya Lavkar Yei | Vishnubua Vavnjekar | E♭ Minor | 7 | 2A | 100 BPM | ||
| Sri Anjaneya Stotram | Puttur Narasimha Nayak | F♯ Minor | 4 | 11A | 96 BPM | ||
| Runjhun Ghunghroo Baaje | Sachidanand Appa | E Major | 9 | 12B | 134 BPM | ||
| Thamb Sumanta Thamb | Sudhir Phadke | B♭ Major | 3 | 6B | 75 BPM | ||
| Vithhala Tu Veda Kumbhar | Kaustubh Datar | E Major | 7 | 12B | 95 BPM | ||
| Sada Mazhe Dola Jado Tujhi Moorti (From "Tukaram") | Ashok Patki, Anirudha Joshi | B Minor | 6 | 10A | 142 BPM |