"Inviolata, integra et casta" by Josquin des Prez, Odhecaton, Paolo da Col had its release date on August 20, 2021. This song is about six minutes long, preciously at 6:15, making this song fairly long compared to other songs. The track order of this song in Josquin des Prez, Odhecaton, Paolo da Col, The Gesualdo Six's "Giosquino: Josquin Desprez in Italia" album is number 13 out of 18. On top of that, France appears to be the country where this track was created. Inviolata, integra et casta is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Inviolata, integra et casta by Josquin des Prez, Odhecaton, Paolo da Col to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fayrfax: Maria plena virtute - 04. Mater dolorosa | Robert Fayrfax, The Tallis Scholars, Peter Phillips | G Minor | 1 | 6A | 99 BPM | ||
| Regem, cui omnia vivunt – Venite, exsultemus | Cristobal de Morales, De Profundis, Eamonn Dougan | B♭ Major | 1 | 6B | 82 BPM | ||
| Adoramus te - Anonymous (Montecassino Songbook) | T Rad, Jordi Savall, La Capella Reial De Catalunya, Hespèrion XXI | E Minor | 0 | 9A | 136 BPM | ||
| Missa Pro Defunctis - Sequentia | Jordi Savall, Cristobal de Morales | B♭ Major | 1 | 6B | 138 BPM | ||
| Mundy: Vox Patris Caelestis - 6. Veni Ad Me, Dilectissimum | The Tallis Scholars, Peter Phillips | A♭ Major | 2 | 4B | 92 BPM | ||
| Missa pro Defunctis (1544): Kyrie | Cristobal de Morales, Gabrieli, Paul McCreesh | F Major | 1 | 7B | 91 BPM | ||
| The Trisagion Hymn | Alexander Pierce Hill, Apollo5 | F Major | 0 | 7B | 79 BPM | ||
| Allegri (Roberts): Miserere (Omitting Verses 7-18) | Gregorio Allegri, Peter Phillips, The Tallis Scholars | G Minor | 1 | 6A | 67 BPM | ||
| In nomine Iesu: Patris sapientia | Loyset Compère, Odhecaton, Paolo da Col | B Major | 1 | 1B | 88 BPM | ||
| Luminosity, II. The Changing Scenes | James Whitbourn, Commotio, Levine Andrade, Henry Parkes, Steffan Jones, Andrew Ker, Matthew Berry | A Minor | 1 | 8A | 160 BPM | ||
| Missa quinis vocibus | Kryštof Harant, Cappella Mariana, Vojtěch Semerád | E♭ Minor | 1 | 2A | 135 BPM | ||
| Madrigali Erotici E Spirituali: Quel Augellin Che Canta | Consort Of Musicke, Evelyn Tubb, Mary Nichols, Simon Grant, Joseph Cornwell, Emma Kirkby, Claudio Monteverdi, Gabriele Micheli, Andrew King | D Minor | 1 | 7A | 78 BPM | ||
| Se l'ardor foss'equale | Philippe Verdelot, Profeti Della Quinta | D Major | 1 | 10B | 86 BPM | ||
| Te Deum à 8, MWV B 15: II. Te Aeternum Patrem | Felix Mendelssohn, Franziska Bobe, Katharina Eberl, Maria Kalmbach, Sigrun Bornträger, Oliver Kringel, Daniel Schmid, Johannes Hill, Felix Rathgeber, Kammerchor Stuttgart, Sonntraud Engels-Benz, Frieder Bernius | D♭ Major | 1 | 3B | 66 BPM | ||
| Messe de Requiem, Introitus: No. 2, Te decet hymnus Deus | André Campra, Sébastien Daucé, Ensemble Correspondances | E♭ Major | 2 | 5B | 93 BPM | ||
| Brumel: Missa Et Ecce Terrae Motus - 02. Christe | The Tallis Scholars, Peter Phillips | F Major | 1 | 7B | 176 BPM | ||
| Missa Se la face ay pale: III. Gloria | Guillaume Dufay, Diabolus in Musica, Antoine Guerber | E Minor | 2 | 9A | 102 BPM | ||
| Missa pro defunctis: IV. Offertorium | Johann Caspar Kerll, Vox Luminis, Lionel Meunier, L'Achéron | G Minor | 2 | 6A | 68 BPM | ||
| Tenebrae Responsories, Feria quinta: IV. Amicus meus | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | A Minor | 1 | 8A | 131 BPM | ||
| Prophetiae Sibyllarum: Prologue | Orlande de Lassus, Vocalconsort Berlin, Daniel Reuss | G Major | 1 | 9B | 81 BPM | ||
| Crecquillon: Pater peccavi - 2. Quanti mercenarii | Thomas Crecquillon, Peter Phillips, The Tallis Scholars | G Major | 1 | 9B | 77 BPM | ||
| Guerrero: Dios los extremos condena | A5 Vocal Ensemble, Francisco Guerrero | G Minor | 1 | 6A | 126 BPM | ||
| Guerrero: Alma mirad vuestro Dios | A5 Vocal Ensemble, Francisco Guerrero | A♭ Minor | 2 | 1A | 128 BPM | ||
| Audivi vocem de caelo | John Taverner, Alamire, David Skinner | D♭ Major | 2 | 3B | 136 BPM | ||
| Brumel: Missa Et Ecce Terrae Motus - 01. Kyrie 1 | The Tallis Scholars, Peter Phillips | F Major | 1 | 7B | 176 BPM |