"String Quartet No. 15 in E-Flat Minor, Op. 144: III. Intermezzo. Adagio" by Dmitri Shostakovich, Cuarteto Casals had its release date on January 9, 2026. With This song being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 10 in the song's album "Shostakovich: Complete String Quartets, Vol. 3, Nos. 13-15". In this album, this song's track order is #7. Furthermore, we believe that the track originated from France. Based on our statistics, String Quartet No. 15 in E-Flat Minor, Op. 144: III. Intermezzo. Adagio's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With String Quartet No. 15 in E-Flat Minor, Op. 144: III. Intermezzo. Adagio by Dmitri Shostakovich, Cuarteto Casals having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 24 Preludes and Fugues, Op. 87: No. 15b, Fugue in D-Flat Major | Dmitri Shostakovich, Yuja Wang | F Minor | 4 | 4A | 100 BPM | ||
| Trio for Clarinet, Cello and Piano: I. Allegro | Nino Rota, Roeland Hendrikx, Sébastien Walnier, Liebrecht Vanbeckevoort | F Minor | 2 | 4A | 130 BPM | ||
| Reflection No. 2 | Camille Thomas, Julien Brocal | F Minor | 2 | 4A | 130 BPM | ||
| Bach, CPE: Duet for Clarinets in C Major, Wq. 142: I. Adagio e sostenuto | Carl Philipp Emanuel Bach, Sabine Meyer, Wolfgang Meyer | C Major | 0 | 8B | 74 BPM | ||
| Cello Concerto No. 2 in G Major, Op. 126: I. Largo | Dmitri Shostakovich, Sheku Kanneh-Mason, Sinfonia Of London, John Wilson | B♭ Major | 1 | 6B | 70 BPM | ||
| 6 Sonatas for Violin Solo, Op. 27 / Sonata No. 2 in A Minor: IV. Les furies | Eugène Ysaÿe, Hilary Hahn | G Major | 1 | 9B | 97 BPM | ||
| String Quartet No. 14 in C-Sharp Minor, Op. 131: III. Allegro moderato | Ludwig van Beethoven, Danish String Quartet | F Minor | 2 | 4A | 130 BPM | ||
| Lakes, Mists, Bats, Daggers and Fountains: IV. Always light and airy | Laurence Osborn, 12 Ensemble | F Minor | 2 | 4A | 130 BPM | ||
| Schubert: String Quartet No. 4 in C Major, D. 46: I. Adagio - Allegro con moto | Franz Schubert, Quatuor Arod | E Minor | 1 | 9A | 157 BPM | ||
| Rosenkranzsonate No. 1 in D Minor, C 90 "The Annunciation": III. Adagio - Finale | Heinrich Ignaz Franz von Biber, Gunar Letzbor, Ars Antiqua Austria | F♯ Minor | 0 | 11A | 77 BPM | ||
| Cello Sonata in G Minor, Op. 65, B. 160: III. Largo | Frédéric Chopin, Truls Mørk, Louis Lortie | B♭ Major | 0 | 6B | 97 BPM | ||
| Piano Trio No. 3 in A Minor, Op. 26: I. Allegro appassionato | Édouard Lalo, Trio Wanderer | F Minor | 2 | 4A | 130 BPM | ||
| Serenade in C Major, Op. 10: Romanza: Adagio non troppo, quasi andante | Ernst von Dohnányi, Spectrum Concerts Berlin | F Major | 1 | 7B | 64 BPM | ||
| Soir et matin, Op. 76: II. Matin | Mel Bonis, Neave Trio | D♭ Major | 0 | 3B | 90 BPM | ||
| Concertstück in F Major, Op. 86: II. Romanze. Ziemlich langsam | Robert Schumann, Robert Bonnevie, Mark Robbins, David C. Knapp, Scott Wilson, Seattle Symphony Orchestra, Gerard Schwarz | B♭ Major | 0 | 6B | 60 BPM | ||
| Mélodie-Elégie, Op. 10, No. 5 | Jules Massenet, Wolfgang Emanuel Schmidt | C Minor | 0 | 5A | 73 BPM | ||
| Violin Sonata in A Major, FWV 8 (Arr. for Cello and Piano by Jules Delsart): I. Allegro ben moderato | César Franck, Lidy Blijdorp, Tobias Borsboom | F Minor | 2 | 4A | 130 BPM | ||
| Caprice sur des motifs de l'opéra 'Le comte Ory', Op. 3: III. Variation 2 | Adrien François Servais, Sol Gabetta, Victor Julien-Laferrière | A Major | 2 | 11B | 138 BPM | ||
| 12 Klavierstücke für kleine und große Kinder, Op. 85: No. 12, Abendlied (Arr. for Violin and Piano by Amanda Maier) | Robert Schumann, Trio Ernest | D♭ Major | 0 | 3B | 87 BPM | ||
| Faust-Ouverture in B Minor, Op. 46 | Emilie Mayer, Kölner Akademie, Michael Alexander Willens | B♭ Major | 1 | 6B | 77 BPM | ||
| Caravan (Arr. for Two Violins and Piano by Tara Kamangar) | André-Aminollah Hossein, Virgil Boutellis-Taft, Irène Duval, César Birschner | D Major | 2 | 10B | 136 BPM | ||
| Cello Sonata, FP 143: II. Cavatine. Très calme | Francis Poulenc, Lidy Blijdorp, Pascal Rogé | F Minor | 2 | 4A | 130 BPM | ||
| Cello Solo Sonata, Op. 8: I. Allegro maestoso ma appassionato | Zoltán Kodály, Johannes Przygodda | B Minor | 1 | 10A | 65 BPM | ||
| Piano Concerto in F-Sharp Minor, Op. 20: IId. Var. 3. Adagio | Alexander Scriabin, Julius Asal, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | ||
| Serenade in C Major, Op. 10: Marcia: Allegro | Ernst von Dohnányi, Spectrum Concerts Berlin | C Major | 1 | 8B | 57 BPM |