On 2012, the song "El Compartido" was released by Trio Azteca. The duration of This song is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. El Compartido's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Trio Azteca's "La Miss Coquetona" album is number 10 out of 12. Based on our statistics, El Compartido's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of El Compartido by Trio Azteca to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lo que paso, paso | Edna Vazquez, Pink Martini | F Minor | 5 | 4A | 78 BPM | ||
| Era un Adolecente | Trio Azteca | F Major | 5 | 7B | 168 BPM | ||
| Vals de las Olas - Remastered | Antonio Apruzzese | G Major | 5 | 9B | 107 BPM | ||
| Sólo por Miedo | María Salgado | D Major | 4 | 10B | 132 BPM | ||
| La Virgen de la Macarena | Edmundo Romero, Ruiz, Mariachi Azteca | A Major | 7 | 11B | 97 BPM | ||
| Como Una Flor Bolero | Antonio Garcia Isaac, Roberto Aguilera | E Major | 4 | 12B | 121 BPM | ||
| La Martiniana | Trio Monte Alban | A♭ Major | 3 | 4B | 85 BPM | ||
| Ra Bacheeza | Binni Gula'za | F Minor | 2 | 4A | 95 BPM | ||
| Ya Te Olvide | Los Amores Recientes | E Major | 4 | 12B | 175 BPM | ||
| De Cuba Traigo un Cantar | Carlos Puebla Y Sus Tradicionales | A♭ Major | 5 | 4B | 100 BPM | ||
| Carmelina | Totó La Momposina | A Minor | 4 | 8A | 101 BPM | ||
| Enamorada estoy | Canut Reyes, Grupo Macarena | B Minor | 5 | 10A | 140 BPM | ||
| Quiéreme Mucho | Niuver | D Minor | 3 | 7A | 108 BPM | ||
| Y, sin embargo | Café Quijano | B Minor | 6 | 10A | 98 BPM | ||
| Historia De Um Amor | Waldir Silva | C Major | 5 | 8B | 115 BPM | ||
| Tu color café | Mariana Montalvo | D♭ Minor | 8 | 12A | 100 BPM | ||
| Dile Que Por Mí No Tema | María Cristina Plata | E Minor | 2 | 9A | 98 BPM | ||
| Nostalgias (feat. Marbella) | A manera de café, Marbella | A Minor | 2 | 8A | 90 BPM | ||
| Isla sin tiempo | Haslan | E Minor | 3 | 9A | 160 BPM | ||
| Linda Oaxaca | El Trio Costa Chica | A♭ Minor | 7 | 1A | 143 BPM | ||
| Alma Entre Espinas | WUILY AND | A♭ Major | 5 | 4B | 100 BPM | ||
| Que no quede huella | J.E. Esparza, Mariachi Azteca | B♭ Minor | 4 | 3A | 89 BPM | ||
| La Bamba | Trio Azteca | C Major | 7 | 8B | 121 BPM | ||
| Tango at Buddha Bar | Buddha's Guitar | C Minor | 4 | 5A | 120 BPM | ||
| Puerto Montt | Patricia Salas | G Major | 8 | 9B | 94 BPM |