Pyotr Ilyich Tchaikovsky, Russian State Symphony Orchestra, Dmitry Yablonsky's ' "Schwanensee, Op. 20: Act I No. 5: Pas de deux" was released on its scheduled release date, November 18, 2002. With This song being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 55 in the song's album "Tchaikovsky: Swan Lake (Complete Ballet)". In this album, this song's track order is #14. Schwanensee, Op. 20: Act I No. 5: Pas de deux is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Schwanensee, Op. 20: Act I No. 5: Pas de deux by Pyotr Ilyich Tchaikovsky, Russian State Symphony Orchestra, Dmitry Yablonsky having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hunting (Fast Polka), Op. 373 | Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko | A Major | 3 | 11B | 167 BPM | ||
| Finlandia, Op. 26 | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 3 | 4B | 67 BPM | ||
| Slavonic Dance No. 8 in G Minor, Op. 46, No. 8 | Antonín Dvořák, George Szell, Cleveland Orchestra | G Major | 4 | 9B | 165 BPM | ||
| Masquerade Suite: Maskarad (Masquerade): I. Waltz | St. Petersburg State Symphony Orchestra, Aram Khachaturian | C Major | 3 | 8B | 94 BPM | ||
| ドヴォルザーク:チェコ組曲より第2曲 ポルカ | Antonín Dvořák, のだめオーケストラ | A Minor | 1 | 8A | 108 BPM | ||
| Swan Lake - Prelude | London Philharmonic Orchestra | B Minor | 0 | 10A | 85 BPM | ||
| Don Quixote: Act II: Souvenir du bal | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | G Major | 0 | 9B | 81 BPM | ||
| ボレロ | Maurice Ravel, Eliahu Inbal, French National Radio Orchestra | D Major | 4 | 10B | 104 BPM | ||
| Giselle, Peasant pas de deux, Act I: Coda (Arr. March) | Friedrich Burgmüller, Sofia National Opera Orchestra, Boris Spassov | B♭ Major | 3 | 6B | 137 BPM | ||
| Sibelius: Karelia Suite, Op. 11: III. Alla marcia | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A Major | 2 | 11B | 173 BPM | ||
| Les Sylphides: 7. Valse | Frédéric Chopin, National Philharmonic Orchestra, Richard Bonynge | D♭ Minor | 1 | 12A | 120 BPM | ||
| スッペ: 劇音楽《詩人と農夫》 序曲 | Franz von Suppé, Václav Neumann, Czech Philharmonic Chamber Orchestra | B Minor | 1 | 10A | 90 BPM | ||
| Swan Lake, Op. 20 (Mariinsky Version), Act I: No. 13, Danses des cygnes: b. Moderato assai "Odette's Solo" | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev | B♭ Major | 0 | 6B | 96 BPM | ||
| Ballet Suite No. 1 (arr. L. Atovmyan): Waltz-scherzo (The Bolt) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | E♭ Major | 1 | 5B | 184 BPM | ||
| La Cinquantaine | Jean Gabriel-Marie, Philharmonica Orchestra, Sir Charles Groves | A Minor | 1 | 8A | 80 BPM | ||
| The Sleeping Beauty, Op. 66 : Panorama | Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice | G Major | 0 | 9B | 131 BPM | ||
| Raymonda, Act II: Grand pas Espagnol | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | E♭ Major | 3 | 5B | 95 BPM | ||
| Harlequinade: Pas de deux: Female Variation | Riccardo Eugenio Drigo, Charles Mathews | A Major | 1 | 11B | 105 BPM | ||
| Paquita: Allegro | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | D Major | 0 | 10B | 78 BPM | ||
| 組曲「動物の謝肉祭」 10. 鳥かご | Camille Saint-Saëns, Sir Charles Groves, フィルハーモニア管弦楽団 | A Minor | 9 | 8A | 94 BPM | ||
| Hérold & Lanchbery: La fille mal gardée, Act 1: No. 16d, Pas de deux de Fanny Elssler. Man's Solo | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | B♭ Major | 2 | 6B | 128 BPM | ||
| Scheherazade: Storm at Sea | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | C Major | 4 | 8B | 91 BPM | ||
| Act III: №28. Pas de deux / Aurore et Prince Desire / Adagio | Moscow New Philharmonic Orchestra, Vladimir Ponkin | C Major | 1 | 8B | 78 BPM | ||
| No. 11 Harlekin: Allegro | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Major | 2 | 10B | 112 BPM | ||
| Les Sylphides: 1. Prélude | Frédéric Chopin, National Philharmonic Orchestra, Richard Bonynge | G Major | 2 | 9B | 99 BPM |