A Cursive Memory's ' "Perfect Company" was released on its scheduled release date, October 9, 2007. The duration of This song is about 3 minutes long, at 3:26. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 5 in the song's album "Respeck! EP". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. Based on our statistics, Perfect Company's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Perfect Company by A Cursive Memory having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bad Cops Bad Charities | PlayRadioPlay! | C Major | 9 | 8B | 160 BPM | ||
| White Lines & Red Lights | Between The Trees | E♭ Minor | 9 | 2A | 142 BPM | ||
| One Track Mind, Four Track Heart | 1997 | C Major | 8 | 8B | 172 BPM | ||
| Baby's Got Her Gun Out | Rediscover | G Major | 7 | 9B | 170 BPM | ||
| Speechless | Self Against City | F♯ Major | 8 | 2B | 138 BPM | ||
| Shake It | Rediscover | A Major | 9 | 11B | 140 BPM | ||
| Count 'em One, Two, Three | The Maine | F♯ Minor | 8 | 11A | 140 BPM | ||
| The Perfect Scene | Mercy Mercedes | F♯ Major | 7 | 2B | 130 BPM | ||
| Car Underwater | Armor For Sleep | D Major | 8 | 10B | 147 BPM | ||
| Beauty In The Breakdown (Acoustic) | The Scene Aesthetic | G Major | 4 | 9B | 79 BPM | ||
| Learn to Sing | Sherwood | G Major | 8 | 9B | 152 BPM | ||
| Don't Be So Hard | The Audition | F♯ Major | 9 | 2B | 170 BPM | ||
| Letting Go | Sing It Loud | A♭ Minor | 8 | 1A | 100 BPM | ||
| The Process Tonight | Self Against City | E♭ Major | 9 | 5B | 155 BPM | ||
| Love Like Novicaine | Call The Cops | B♭ Minor | 10 | 3A | 158 BPM | ||
| High School | The Friday Night Boys | A Major | 10 | 11B | 148 BPM | ||
| Ceilings | Alive In Wild Paint | E Minor | 6 | 9A | 169 BPM | ||
| It's Too Late | The Audition | A♭ Minor | 6 | 1A | 95 BPM | ||
| Stranger, You and I | Daphne Loves Derby | A♭ Major | 7 | 4B | 137 BPM | ||
| Everything I Ask For | The Maine | A Major | 9 | 11B | 105 BPM | ||
| A Walk Through Hell | Say Anything | A Major | 5 | 11B | 83 BPM | ||
| The Process | My American Heart | E Minor | 9 | 9A | 132 BPM | ||
| Nurse! Nurse! (I'm Loosing My Patients) | Sparks The Rescue | F♯ Minor | 9 | 11A | 99 BPM | ||
| No One Can Touch Us (feat. Alex Gaskarth) | Sing It Loud, Alex Gaskarth | B♭ Major | 8 | 6B | 123 BPM | ||
| Insurance | The Higher | C Minor | 9 | 5A | 120 BPM |