On April 25, 2001, the song "Julum Holay Ke Humrau Milalay" was released by Tripti Shakya, Amresh Raj, Payal Mukherjee, Rakesh Raj. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Various Artists's "Maarya Chhe Najariya Ke Baan" album is number 8 out of 9. On top of that, India appears to be the country where this track was created. In terms of popularity, Julum Holay Ke Humrau Milalay is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Julum Holay Ke Humrau Milalay by Tripti Shakya, Amresh Raj, Payal Mukherjee, Rakesh Raj to be Moderato (at a moderate speed) because the track has a tempo of 119 BPM, a half-time of 60BPM, and a double-time of 238 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mujhko Nandi Bana Le | Shekhar Jaiswal | G Major | 7 | 9B | 90 BPM | ||
| Kamna Hriday Ki Suna Ke Dekh Le | Babla Mehta | A Major | 5 | 11B | 94 BPM | ||
| Aisa Damru Bajaya Bhole Nath Ne | Mishra Bandhu | F♯ Minor | 7 | 11A | 126 BPM | ||
| Vanke Ambode Shreenathji | Utpal Jivrajani, Nidhi Dholakia | E♭ Major | 4 | 5B | 163 BPM | ||
| Mere Sir Per Rakh Do Baba | Rakesh Kala | A♭ Major | 8 | 4B | 140 BPM | ||
| Man Tera Mandir Hai - Mata Ka Jagrata | Kavita Paudwal | G Major | 2 | 9B | 71 BPM | ||
| Veer Hanumana Ati Balawana | Manish Tiwari | F Minor | 5 | 4A | 120 BPM | ||
| REENGUS KE MOD PE | Kanhiya Mittal | D♭ Major | 6 | 3B | 150 BPM | ||
| Bhor Bhayi Maa | Sonu Nigam | F♯ Major | 9 | 2B | 150 BPM | ||
| Pakad Lo Hath Banwari | Rekha Rao | D♭ Minor | 6 | 12A | 170 BPM | ||
| Mori Maiya Ki Chunari | Shahnaz Akhtar | D♭ Major | 9 | 3B | 150 BPM | ||
| Rama Rama Ratte Ratte | Tripti Shakya | D Major | 6 | 10B | 110 BPM | ||
| Yadi Nath Ka Naam Dayanidhi Hai | Devendra Pathak | F♯ Minor | 6 | 11A | 151 BPM | ||
| Kon Kahta Ki Bhagwan Aate Nhi | Anju Sharma | E Major | 6 | 12B | 90 BPM | ||
| Ram Ji Ke Sath Jo Hanuman Nahin Hote | Lakhbir Singh Lakkha | F♯ Major | 6 | 2B | 163 BPM | ||
| Dena Ho To Deejiye Janm Janm Ka Saath | Mukesh Bagda | D♭ Major | 8 | 3B | 76 BPM | ||
| Man Kare Man Ke Mandir Banaai Ho | MANOJ TIWARI, Tripti Shakya | G Minor | 9 | 6A | 154 BPM | ||
| Kabhi Ram Banke Kabhi Sham Banke | Anjali Jain | B Minor | 5 | 10A | 88 BPM | ||
| जय राम रमा रमनं समनं | Trupti Dave, S.TRIVEDI | B Minor | 3 | 10A | 124 BPM | ||
| Dena Hai To Dijiye Janam Janam Ka Sath | Naresh Raina | G Major | 8 | 9B | 140 BPM | ||
| Aarti - Jai Ganesh Deva | Tripti Shakya | C Major | 9 | 8B | 130 BPM | ||
| Shyam Ke Rehte Shyam Ka Premi Aasu Nahi Bahaayega | Shubham Rupam | A♭ Major | 2 | 4B | 96 BPM | ||
| Kehu Se Kehu Na Kail Bewafai | Tripti Shakya | G Minor | 9 | 6A | 154 BPM | ||
| KARUNA KARO KASHT HARO | Anika Agrawal | D♭ Major | 7 | 3B | 138 BPM | ||
| Jhuthi Duniya Se Man Ko Hata Le | Lakhbir Singh Lakkha | F♯ Minor | 7 | 11A | 77 BPM |