"The Sleeping Beauty, Op. 66 : (A) Chaperon Rouge Et Le Loup (Little Red Riding-Hood and The Wolf)" by Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice had its release date on July 31, 1992. With This song being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 65 in the song's album "Tchaikovsky: The Sleeping Beauty (Complete Ballet)". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Hong Kong. The Sleeping Beauty, Op. 66 : (A) Chaperon Rouge Et Le Loup (Little Red Riding-Hood and The Wolf) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Sleeping Beauty, Op. 66 : (A) Chaperon Rouge Et Le Loup (Little Red Riding-Hood and The Wolf) by Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Le Lac des Cygnes, Op.20: Acte III, Mazurka | L'Orchestre National du Bolchoï, Algys Juraitis | A♭ Major | 2 | 4B | 111 BPM | ||
| Act III: Variation I. Prince Desire | Moscow New Philharmonic Orchestra, Vladimir Ponkin | F Major | 3 | 7B | 96 BPM | ||
| Scheherazade: Sinbad's mighty bird, the Roc | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | G Major | 3 | 9B | 143 BPM | ||
| La Sylphide: Act II: Sylph Scene: Divertissement | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | D Major | 0 | 10B | 78 BPM | ||
| Paulli: Pas de deux from "Flower Festival in Genzano" (adapted from Matthias Strebinger's "Pas de deux" for "Napoli" Ballet of Bournonville): No. 2, Adage | Edvard Helsted, Holger Simon Paulli, Copenhagen Philharmonic Orchestra/Ole Schmidt, Ole Schmidt, Copenhagen Philharmonic Orchestra | B♭ Major | 0 | 6B | 177 BPM | ||
| Die Worte des Erlösers am Kreuze, Hob. XX:1: IX. Il Terremoto | Joseph Haydn, Metamorphose String Orchestra, Pavel Lyubomudrov | G Major | 5 | 9B | 155 BPM | ||
| Carnival of the Animals, R. 125: Introduction and Royal March of the Lion | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma, Michel Cerruti, Michel Cals, Régis Pasquier, Yan Pascal Tortelier, Gabin Lauridon, Gerard Causse, Alain Marion, Michel Arrignon | G Major | 2 | 9B | 90 BPM | ||
| La Sylphide: Act I: Overture | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | E Major | 1 | 12B | 132 BPM | ||
| La Bayadere, Act II: 33. "Wedding Variation - Gamzatti" | Evergreen Symphony Orchestra, Kevin Galiè | A♭ Major | 1 | 4B | 78 BPM | ||
| Tales of Beatrix Potter - Music from the Royal Ballet film: The Tale of Jemima Puddle-Duck | John Lanchbery, Orchestra of the Royal Opera House, Covent Garden | A♭ Major | 2 | 4B | 128 BPM | ||
| El amor brujo: Danza ritual del fuego, para ahuyentar los malos espíritus | Manuel de Falla, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 1 | 9B | 141 BPM | ||
| Le Lac des Cygnes, Op.20: Acte III, Scène 1 | L'Orchestre National du Bolchoï, Algys Juraitis | A Major | 1 | 11B | 76 BPM | ||
| Stolze & Tchaikovsky: Onegin: Opening Scene - Dance of the Young Girls (After Eugen Onegin, Op. 24) | Kurt-Heinz Stolze, Pyotr Ilyich Tchaikovsky, John Lanchbery, Sydney Symphony Orchestra | E♭ Major | 0 | 5B | 118 BPM | ||
| Prokofiev: Cinderella, Op. 87, Act 2: No. 30, Grand Waltz | Sergei Prokofiev, André Previn, London Symphony Orchestra | D Minor | 1 | 7A | 83 BPM | ||
| Act III. Spanish dance | Moscow New Philharmonic Orchestra, Vladimir Ponkin | F♯ Minor | 2 | 11A | 119 BPM | ||
| Skater's Waltz | Norddeutsche Philharmonie Symphony | D Major | 2 | 10B | 105 BPM | ||
| Symphony No. 4 in A Major, Op. 90, MWV N 16 "Italienische": IV. Saltarello. Presto | Felix Mendelssohn, Heidelberg Symphony Orchestra, Thomas Fey | G Major | 0 | 9B | 64 BPM | ||
| A Midsummer Night's Dream, Op. 61: Scherzo (Transcr. by Sergueï Rachmaninov) | Felix Mendelssohn, Bertrand Chamayou | C Minor | 2 | 5A | 129 BPM | ||
| Vremena Goda (The Seasons), Op. 67: Summer: Waltz of the Cornflowers and the Poppies | Alexander Glazunov, Slovak Radio Symphony Orchestra | D Major | 1 | 10B | 100 BPM | ||
| Carmen Suite No. 2: Danse bohème | Georges Bizet, London Symphony Orchestra, Sir Neville Marriner | C Major | 1 | 8B | 132 BPM | ||
| Carmen Suite No. 2 (Arr. E. Guiraud): IV. Chanson du toréador | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Major | 1 | 7B | 109 BPM | ||
| Masquerade Suite: Nocturne | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | A Major | 1 | 11B | 105 BPM | ||
| Manon Ballet - Arranged and orchestrated by Leighton Lucas with the collaboration of Hilda Gaunt / Act 3: Scene 3 - A Swamp in Louisiana | Jules Massenet, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | D♭ Major | 3 | 3B | 70 BPM | ||
| Coppélia, Tableau 3: No. 20 Fête de la cloche: VIII. Danse de fête - Alternative Version | Léo Delibes, Orchestra Victoria, Barry Wordsworth | E♭ Major | 2 | 5B | 142 BPM | ||
| Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, The Cleveland Orchestra | A Major | 1 | 11B | 83 BPM |