Johann Sebastian Bach, Johan Ullén, Christian Svarfvar, London Philharmonic Orchestra's ' "Recomposed by Johan Ullén: Bach, Violin Concerto in E Major, BWV 1042: Recomposed by Johan Ullén: Bach, Violin Concerto in E Major, BWV 1042: III. Allegro assai" was released on its scheduled release date, November 19, 2021. The duration of This song is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Recomposed by Johan Ullén: Bach, Violin Concerto in E Major, BWV 1042: Recomposed by Johan Ullén: Bach, Violin Concerto in E Major, BWV 1042: III. Allegro assai's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johan Ullén, Johann Sebastian Bach, Christian Svarfvar, London Philharmonic Orchestra's "Infinite Bach" album is number 3 out of 12. The popularity of Recomposed by Johan Ullén: Bach, Violin Concerto in E Major, BWV 1042: Recomposed by Johan Ullén: Bach, Violin Concerto in E Major, BWV 1042: III. Allegro assai is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Recomposed by Johan Ullén: Bach, Violin Concerto in E Major, BWV 1042: Recomposed by Johan Ullén: Bach, Violin Concerto in E Major, BWV 1042: III. Allegro assai by Johann Sebastian Bach, Johan Ullén, Christian Svarfvar, London Philharmonic Orchestra to be Vivace (lively and fast) because the track has a tempo of 166 BPM, a half-time of 83BPM, and a double-time of 332 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ever Yours: III. You Reap What You Sow | Osvaldo Golijov, Arethusa Quartet, Animato Quartet, Nicholas Schwartz | C Minor | 2 | 5A | 105 BPM | ||
| Suite No. 4 in E Minor: Prelude X.XVII | Monsieur de Sainte-Colombe, Christian-Pierre La Marca | E♭ Minor | 1 | 2A | 123 BPM | ||
| Musica serena | Pēteris Vasks, Munich Radio Orchestra, Ivan Repušić | A Minor | 0 | 8A | 65 BPM | ||
| Night on Earth | Emily Hultmark, Sara Övinge, Hanne Moe Skjelbred, Gregor Riddell | D Major | 3 | 10B | 95 BPM | ||
| Emily — No Prisoner Be: No. 17, Could I ride but indefinite (Bee Scherzo No. 2) | Kevin Puts, Time For Three | C Minor | 2 | 5A | 105 BPM | ||
| Variation IV Heroic | Arash Safaian, Ludwig van Beethoven, Sebastian Knauer, Zürcher Kammerorchester, Samy Moussa | A Minor | 4 | 8A | 82 BPM | ||
| 2 Pieces for 4 Brothers: I. Flow | Oliver Davis, Hanke Brothers, Paul Bateman | D♭ Major | 2 | 3B | 130 BPM | ||
| Father | ABBOTT, Canea Quartett, Ruben Jeyasundaram | C Minor | 2 | 5A | 167 BPM | ||
| String Quartet No. 14 in F-Sharp Major, Op. 142: II. Adagio | Dmitri Shostakovich, Cuarteto Casals | C Minor | 2 | 5A | 105 BPM | ||
| Continuum | Francesca Guccione | G Minor | 2 | 6A | 81 BPM | ||
| Bruremarsj frå Beiarn (Perf. on Sheng, Viola & Double Bass) | Traditional, Wu Wei, Martin Stegner, Janne Saksala | D Major | 0 | 10B | 130 BPM | ||
| The Renaissance Suite: I. GALLIARD in Sky Blue | Julie Cooper, Camilla Pay, Oculus Ensemble, Jessica Cottis | G Minor | 1 | 6A | 131 BPM | ||
| Summer 2 - 2022 | Max Richter, Elena Urioste, Chineke! Orchestra | F Minor | 2 | 4A | 123 BPM | ||
| Emily — No Prisoner Be: No. 21, His Feet are shod with Gauze (Bee Scherzo No. 3) | Kevin Puts, Time For Three | C Minor | 2 | 5A | 105 BPM | ||
| Trimming the Tree | Emilie Levienaise-Farrouch | C Major | 3 | 8B | 160 BPM | ||
| Concerto No. 1, "Infinite Games": II. Canon in C - After Canon Trias Harmonica a 8, BWV 1072 | Arash Safaian, Pascal Schumacher, Sebastian Knauer, Zürcher Kammerorchester | C Major | 1 | 8B | 174 BPM | ||
| Exiles - Pt. 16 | Max Richter, Baltic Sea Philharmonic, Kristjan Järvi | D Major | 5 | 10B | 102 BPM | ||
| Trauermusik: IV. Choral (Arr. for Saxophone Quartet and Cello) | Paul Hindemith, Signum Saxophone Quartet, Hila Karni | B Minor | 0 | 10A | 70 BPM | ||
| Cello Suite No. 1 in G Major, BWV 1007: IV. Sarabande - Arr. for Marimba | Johann Sebastian Bach, Kuniko | A♭ Major | 0 | 4B | 88 BPM | ||
| Relations: I | Philippe Paquet, Quatuor Andara | D Minor | 3 | 7A | 172 BPM | ||
| The Spheres | Ola Gjeilo, Tenebrae, The Chamber Orchestra Of London | C Minor | 1 | 5A | 79 BPM | ||
| Slave Raid | Balanescu Quartet | B♭ Major | 4 | 6B | 98 BPM | ||
| The Arctic Suite: IV. A Rush of Life | Jacob Shea, Eldbjørg Hemsing, Arctic Philharmonic | F Major | 4 | 7B | 102 BPM | ||
| Ascension | Sam Lung, Warren Zielinski | G Major | 3 | 9B | 82 BPM | ||
| Étude No. 2: Breathless | Marie Awadis | G Major | 2 | 9B | 168 BPM |