角野 裕, 角野怜子's 'くるみわり人形 おかしの国への旅立ち - 練習用マイナス・ワン' had a release date set for February 1, 1988. The duration of This song is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. くるみわり人形 おかしの国への旅立ち - 練習用マイナス・ワン's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in ピアノ絵本館 チャイコフスキー作曲 くるみわり人形 (れんだん), so we believe that "くるみわり人形 おかしの国への旅立ち - 練習用マイナス・ワン" is a single. Based on our statistics, くるみわり人形 おかしの国への旅立ち - 練習用マイナス・ワン's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of くるみわり人形 おかしの国への旅立ち - 練習用マイナス・ワン by 角野 裕, 角野怜子 is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Valse Mignonne, Op. 126 No.12 | Cécile Chaminade, Anna Miernik | F Major | 2 | 7B | 103 BPM | ||
| Cinco Piezas Breves: I. “Incitatus” | Juan Ignacio Sandoz | A Major | 1 | 11B | 110 BPM | ||
| くるみわり人形 行進曲 - 練習用マイナス・ワン | 角野 裕, 角野怜子 | F Major | 1 | 7B | 143 BPM | ||
| Infancia | Patricio Franzi | A Minor | 3 | 8A | 189 BPM | ||
| Snow Nocturne No. 5 in D Minor | Carlos Marquez | F Minor | 2 | 4A | 109 BPM | ||
| Undine | Laura Ballestrino | C Major | 2 | 8B | 95 BPM | ||
| Élégie, Op. 126 No. 7 | Cécile Chaminade, Anna Miernik | D♭ Major | 1 | 3B | 63 BPM | ||
| Concerto for 2 Mandolins and Orchestra Rv532: II. Andante (Arr. Solo Piano by Del Corral) | Antonio Vivaldi, Manuel del Corral | F♯ Minor | 2 | 11A | 149 BPM | ||
| Silk Scarf | Giulio Bas, Anna Miernik | G Minor | 1 | 6A | 91 BPM | ||
| Lavande | Kokoro Shimizu | E Minor | 1 | 9A | 168 BPM | ||
| A Farewell to St. Petersburg: X. The Lark - Arr. for Piano by Mily Balakirev | Mikhail Glinka, Fedor Veselov | F♯ Minor | 2 | 11A | 149 BPM | ||
| Moonlit Murmurs | Victor Duvall | F♯ Minor | 2 | 11A | 149 BPM | ||
| Slumber Song, Op. 65, No.2 from "Four Piano Pieces" 1915 - Duo-Art 5967 | Paul Juon, Tina Lerner, Peter Phillips | F♯ Minor | 2 | 11A | 149 BPM | ||
| Melody for You | Tomasz Trzcinski | B♭ Major | 1 | 6B | 71 BPM | ||
| Bronze | Ian Binder | C Major | 1 | 8B | 100 BPM | ||
| Narrative | MOBUX | C Major | 2 | 8B | 92 BPM | ||
| Nocturne in E-Flat Major | Mikhail Glinka, Vadim Chaimovich | E♭ Major | 1 | 5B | 83 BPM | ||
| 7 Fantasien, Op. 116: IV. Intermezzo (Adagio) | Johannes Brahms, Axel Gillison | D Minor | 2 | 7A | 125 BPM | ||
| Berceuse, Op. 26 No. 7 - Welte-Mignon 970 | Ludwig Theodor Schytte, Anna Jutta Schytte, Peter Phillips | G Major | 1 | 9B | 71 BPM | ||
| くるみわり人形 お客さまたちのおどり - 連弾 | 角野 裕, 角野怜子 | E Minor | 1 | 9A | 60 BPM | ||
| Glasperlenspiel No. 3 | Carlos Marquez | G Major | 2 | 9B | 135 BPM | ||
| Mírame | Xoel Massó | G Major | 0 | 9B | 100 BPM | ||
| C大調第10號鋼琴奏鳴曲 第二樂章 K. 330 | 古典鋼琴詩 | B♭ Major | 0 | 6B | 146 BPM | ||
| Waltz No.10 in B Minor, Op.69 No.2 | Songs of Birdland, Classical of Birdland, Mu Dimon | B Minor | 1 | 10A | 89 BPM | ||
| Senza Una Via Di Uscita | Paolo MIllon | E Major | 1 | 12B | 67 BPM |