On January 11, 2022, the song "Aavi Udti Chakli" was released by Chetan Kanesh, Ghanshyam Rathva. This song appears to be safe for all ages as it is not explicit. Because this song is the only song in Aavi Udti Chakli and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Aavi Udti Chakli's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Aavi Udti Chakli by Chetan Kanesh, Ghanshyam Rathva is Allegro (fast, quick, and bright), since this song has a tempo of 144 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lado Teka Leta Jay | Deepak Chongad, Antarsingh Solanki | G Minor | 9 | 6A | 135 BPM | ||
| Jhajali Nakhrali | Mp Regional Music, Kalu Bandodiya 2 | E♭ Major | 9 | 5B | 95 BPM | ||
| Ris Bhar Ma Ladai Gayo Ho Mari Fataki | Chetan Kanesh | F♯ Minor | 9 | 11A | 138 BPM | ||
| Sinda Khane Gayli-Bindiya Express | Mahesh Nargawa, Ghanshyam Rathva | F♯ Major | 9 | 2B | 144 BPM | ||
| Hote Lali Kan Ma Bali | Vk Bhuriya, Bharat HD | F Minor | 9 | 4A | 130 BPM | ||
| Chal Juwanay | Sohan Bhai Rajawat, Mahi Dawar | B♭ Minor | 9 | 3A | 120 BPM | ||
| Navli Fasion | Sabrsing Solanki | B♭ Minor | 8 | 3A | 92 BPM | ||
| Muchi Par Taw Dum | Piru Bhai Solanki | D♭ Major | 9 | 3B | 142 BPM | ||
| Dj Par Nachne Aavli P.t 3 | Prakash Solanki, Piru Bhai Solanki | B♭ Minor | 8 | 3A | 130 BPM | ||
| Mari Ladi Laakdi Re Ghoni | Shantilal Ahire | F♯ Major | 8 | 2B | 131 BPM | ||
| Polu Dukeru Fulailu Vo Muche Vo Samle Part 1 | Piru Solanki, Chetan Kanesh, Pratap Solanki | B♭ Minor | 9 | 3A | 144 BPM | ||
| Navla Saal Ma Ladi Lavo Part 2 | Chetan Kanesh | F♯ Minor | 8 | 11A | 142 BPM | ||
| Mara Havajo Ni Boom Chare Kor Pade Che-Bajar Ma Boom | Narvat Rathva | F♯ Major | 9 | 2B | 132 BPM | ||
| Jinli Ghugri Khali Ma Vagado Part 2 | Piru Solanki, Chetan Kanesh, Mahesh Nargawa | E Major | 9 | 12B | 142 BPM | ||
| Dil Rodave Pyar Hasade | Piru Bhai Solanki | F♯ Major | 10 | 2B | 125 BPM | ||
| Amne Chhodi Parka Na Bani Gaya Pari | Jasvant Patel Bhutiya, DJ Dharmesh Savli, Dj Piyush Savli | D Minor | 8 | 7A | 127 BPM | ||
| Janu Mari Gaddar Nikdi Bhai | Jasvant Patel Bhutiya, DJ Dharmesh Savli, Dj Piyush Savli | G Major | 8 | 9B | 200 BPM | ||
| Baroda City | Urmi Nayak | F Minor | 9 | 4A | 140 BPM | ||
| Chhori Rang Rangili - Melo Batadu | Dj Jpstar, Kamlesh Barot, Kailash Rathva | F♯ Major | 9 | 2B | 120 BPM | ||
| Aavti Punav Dandu Mekay Jase Part 2 | Chetan Kanesh, Shivani Maurya | F Minor | 9 | 4A | 144 BPM | ||
| Be Be Baira Lavi Redi Fasayo | Vk Bhuriya, Rahul Bhuriya, Bharat HD | F♯ Major | 8 | 2B | 127 BPM | ||
| Ninbu No Chhilko | Anil Piplaj, Anatrsingh Solanki | A♭ Major | 9 | 4B | 146 BPM | ||
| Kala No Kitairiyo | Malsingh Baghel, Laxmi Baghel | F♯ Major | 10 | 2B | 125 BPM | ||
| Janudi Rade Sanu Sanu-Kaka Tari Kaki Bagadiyu | Narvat Rathva, Vidur Rathva | F Minor | 9 | 4A | 134 BPM | ||
| Nachne wali beski beski hase | Rakesh dudwe | F Minor | 9 | 4A | 145 BPM |