"Frontiers: II. Second Movement" by Oliver Davis, Kerenza Peacock, Paul Bateman had its release date on September 30, 2016. The duration of This song is about 3 minutes long, at 3:16. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 17 in the song's album "Oliver Davis: Dance". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. Frontiers: II. Second Movement is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Frontiers: II. Second Movement by Oliver Davis, Kerenza Peacock, Paul Bateman having a BPM of 37 with a half-time of 18 BPM and a double-time of 74 BPM, we would consider this track to have a Grave (very slow) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Feathers | Poppy Ackroyd | B♭ Minor | 1 | 3A | 95 BPM | ||
| Quartet N.2 | Dustin O'Halloran | F♯ Minor | 2 | 11A | 86 BPM | ||
| saman - string quartet version | Ólafur Arnalds | C Minor | 2 | 5A | 88 BPM | ||
| Gymnopédie No. 2. Lent et triste | Erik Satie, Jean-Yves Thibaudet | F Major | 0 | 7B | 67 BPM | ||
| Lavender Field | Karen Tanaka, Signe Bakke | G Major | 0 | 9B | 197 BPM | ||
| Fiddlelicks: II. Second Movement | Oliver Davis, Kerenza Peacock, Paul Bateman | G Minor | 2 | 6A | 100 BPM | ||
| Cello Sonata in G Minor, Op. 19: III. Andante | Sergei Rachmaninoff, Leonard Elschenbroich, Alexei Grynyuk | E♭ Major | 0 | 5B | 90 BPM | ||
| String Quartet No. 2, Op. 147: VII. Hymn | Alan Hovhaness, Shanghai Quartet | C Major | 0 | 8B | 95 BPM | ||
| Cambridge 1963 (Arr. Knoth for Solo Violin & Ensemble) - From “The Theory of Everything“ | Jóhann Jóhannsson, Mari Samuelsen, Soyoung Yoon, Scoring Berlin, Jonathan Stockhammer | B♭ Major | 2 | 6B | 80 BPM | ||
| The Arctic Suite: V. Polar Winds | Jacob Shea, Eldbjørg Hemsing, Arctic Philharmonic | A Minor | 2 | 8A | 147 BPM | ||
| Anthology of Fantastic Zoology: V. Nymphs (Live) | Mason Bates, Riccardo Muti, Chicago Symphony Orchestra | B♭ Major | 0 | 6B | 82 BPM | ||
| Piano Sonata No. 3: Largo | Frédéric Chopin, Ólafur Arnalds, Alice Sara Ott | B Major | 0 | 1B | 79 BPM | ||
| Le grand cahier: XII. La séparation | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov | B♭ Major | 2 | 6B | 81 BPM | ||
| Butterflies | Balanescu Quartet | A♭ Minor | 2 | 1A | 75 BPM | ||
| 3 Small Tone Poems: No. 3, Spring Morning | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | A Major | 0 | 11B | 89 BPM | ||
| Monk: Railroad (Travel Song) | Meredith Monk, Conrad Tao | E Minor | 1 | 9A | 111 BPM | ||
| Dies Natalis, Op. 8 - Arr. Sheppard: 5. The Salutation - Instrumental | Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon | G Major | 1 | 9B | 112 BPM | ||
| String Quartet No. 12 in F Major, Op. 96 'The American': II. Lento | Antonín Dvořák, Škampa Quartet | D Minor | 0 | 7A | 87 BPM | ||
| Guitar Concerto: III | Oliver Davis, Sergio Puccini, Oliver Wass, Henry Hanssen, Peter Illenyi, Budapest Scoring Orchestra | B Minor | 3 | 10A | 120 BPM | ||
| Kol Nidrei, Op. 47 | Max Bruch, Jan Vogler, Helmut Branny | D Major | 1 | 10B | 136 BPM | ||
| Wallfisch: Final Kiss | Yuja Wang, Benjamin Wallfisch | C Major | 1 | 8B | 140 BPM | ||
| City Boy | Judd Greenstein, Now Ensemble | F♯ Minor | 4 | 11A | 115 BPM | ||
| English Suite: Meditation | Paul Lewis, Royal Northern Sinfonia, David Lloyd-Jones | A Minor | 0 | 8A | 61 BPM | ||
| Frontiers: III. Third Movement | Oliver Davis, Kerenza Peacock, Paul Bateman | G Major | 2 | 9B | 167 BPM | ||
| Enigma Variations, Op. 36: Variation IX. Adagio "Nimrod" - Arr. for String Quartet by Christoph Slenczka | Edward Elgar, Barbican Quartet | A Major | 3 | 11B | 126 BPM |