Moe Bandy's 'Home Is Where the Hurt Is' had a release date set for 1974. The duration of This song is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Home Is Where the Hurt Is's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Moe Bandy's "I Just Started Hatin' Cheatin' Songs Today" album is number 8 out of 10. On top of that, Turks and Caicos Islands appears to be the country where this track was created. Home Is Where the Hurt Is is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Home Is Where the Hurt Is by Moe Bandy to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I'm Only In It For Love | John Conlee | B♭ Major | 8 | 6B | 125 BPM | ||
| Blame It On Texas | Mark Chesnutt | A Major | 6 | 11B | 155 BPM | ||
| You Ain't Just Whistlin' Dixie | The Bellamy Brothers | A Major | 3 | 11B | 118 BPM | ||
| Is Anybody Goin' to San Antone | Charley Pride | D Major | 4 | 10B | 116 BPM | ||
| Close All the Honky Tonks | Charlie Walker | A Major | 4 | 11B | 163 BPM | ||
| Dream Lover | Billy 'Crash' Craddock | E Major | 6 | 12B | 140 BPM | ||
| If You've Got the Money I've Got the Time | Lefty Frizzell | D Major | 3 | 10B | 208 BPM | ||
| I'll Go To My Grave Loving You | The Statler Brothers | B♭ Major | 4 | 6B | 96 BPM | ||
| Under the X in Texas | Red Steagall | B Major | 5 | 1B | 161 BPM | ||
| Fourteen Carat Mind | Gene Watson | C Major | 3 | 8B | 81 BPM | ||
| Bandy the Rodeo Clown | Moe Bandy | F Major | 6 | 7B | 98 BPM | ||
| Heart On The Line (Operator, Operator) | Eddy Raven | A Major | 5 | 11B | 120 BPM | ||
| The New Never Wore Off My Sweet Baby | Dean Dillon | B Major | 4 | 1B | 138 BPM | ||
| She Thinks I Still Care | George Jones | B Major | 4 | 1B | 115 BPM | ||
| Shadows of My Mind | Vernon Oxford | E Major | 4 | 12B | 123 BPM | ||
| Playboy | Wynn Stewart | F Major | 6 | 7B | 127 BPM | ||
| Whiskey River | Johnny Bush | E Major | 3 | 12B | 135 BPM | ||
| Only One You | T.G. Sheppard | E Minor | 6 | 9A | 95 BPM | ||
| Red Necks, White Socks and Blue Ribbon Beer | Johnny Russell | E Major | 5 | 12B | 87 BPM | ||
| Hell Yes I Cheated | James Pastell | G Major | 4 | 9B | 101 BPM | ||
| The Tracks You Left On Me | Ed Bruce | B Major | 6 | 1B | 131 BPM | ||
| Preparations to Be Blue | Lefty Frizzell | A Major | 4 | 11B | 168 BPM | ||
| Burn Me Down | Marty Stuart | G Major | 8 | 9B | 164 BPM | ||
| You're Gonna Ruin My Bad Reputation - Re-Recorded In Stereo | Ronnie McDowell | E Major | 6 | 12B | 116 BPM | ||
| Texas In My Rear View Mirror | Mac Davis | D Major | 4 | 10B | 75 BPM |