Andrew Farriss's ' "All The Stars Are Mine" was released on its scheduled release date, August 28, 2020. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in All The Stars Are Mine and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from Australia. In terms of popularity, All The Stars Are Mine is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of All The Stars Are Mine by Andrew Farriss is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| With The Kelly Gang | Andrew Farriss | D Minor | 7 | 7A | 176 BPM | ||
| One Wild Reason | Jesse Raub Jr. | A Major | 5 | 11B | 134 BPM | ||
| Passing Through | Nick Walsh | E♭ Major | 7 | 5B | 132 BPM | ||
| Nashville Girl | Richard Schroder | E Minor | 9 | 9A | 83 BPM | ||
| Where Ya Been Girl | Chris Chitsey | E♭ Major | 7 | 5B | 132 BPM | ||
| Let's Stay In | Tim Sweeney | G Major | 9 | 9B | 126 BPM | ||
| Wildflower Roads | Lone Star Serenades | D Major | 9 | 10B | 160 BPM | ||
| Lovin' Thru The Early Hours | Daniel Goguen | E♭ Major | 7 | 5B | 132 BPM | ||
| Next Heart You Break | Kin Faux | A Major | 7 | 11B | 114 BPM | ||
| Love in the Quiet | Buck Wilder | E Major | 4 | 12B | 76 BPM | ||
| Nowhereville | Brad Millers | E Major | 4 | 12B | 72 BPM | ||
| Against the Pull | Storm Chant | E♭ Major | 7 | 5B | 132 BPM | ||
| Nashville | The Massacoustics | E Major | 4 | 12B | 130 BPM | ||
| Let's Get Fucked Up | Jer Gregg | F♯ Major | 9 | 2B | 81 BPM | ||
| Midnight County Line | Terry Blaze | E♭ Major | 2 | 5B | 77 BPM | ||
| What Praying's For | If Nothing Else | F♯ Major | 6 | 2B | 80 BPM | ||
| Only Ones On The Floor | Stephen Flatt | E♭ Major | 7 | 5B | 132 BPM | ||
| Drinking in Spanish | Cliff Cody | E♭ Major | 6 | 5B | 95 BPM | ||
| I'll Always Be Your Dad | Brock Davis | E♭ Major | 4 | 5B | 148 BPM | ||
| Damn, We Were Good Together | Chandler James | E♭ Major | 7 | 5B | 132 BPM | ||
| Painting The Sky | Kevin Presbrey | E♭ Major | 7 | 5B | 132 BPM | ||
| He'll Make Everything Alright | Richard Lynch | E Major | 7 | 12B | 106 BPM | ||
| The Working Man and Woman's Friend | Trail Hawk | E♭ Major | 7 | 5B | 132 BPM | ||
| County Line Road | Terry Glen Adams | E♭ Major | 7 | 5B | 132 BPM | ||
| Forever Is Real 2025 | Rick Lee Vinson Group | A Major | 8 | 11B | 130 BPM |