Antonín Dvořák, Berlin Philharmonic String Quintet's 'String Quintet in G Major, Op. 77: I. Allegro con fuoco – Più mosso' had a release date set for December 1, 2011. This song appears to be safe for all ages as it is not explicit. The song is number 1 out of 6 in Dvořák: String Quintets by Antonín Dvořák, Berlin Philharmonic String Quintet. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Based on our statistics, String Quintet in G Major, Op. 77: I. Allegro con fuoco – Più mosso's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of String Quintet in G Major, Op. 77: I. Allegro con fuoco – Più mosso by Antonín Dvořák, Berlin Philharmonic String Quintet is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester | C Major | 1 | 8B | 96 BPM | ||
| Vieuxtemps: Violin Concerto No. 4 in D Minor, Op. 31: IV. Finale marciale | Henri Vieuxtemps, Itzhak Perlman, Daniel Barenboim, Orchestre de Paris | D Major | 3 | 10B | 76 BPM | ||
| Violin Sonata No. 3 in C Minor, Op. 45: III. Allegro animato | Edvard Grieg, Frederic Chiu, Pierre Amoyal | D Minor | 2 | 7A | 148 BPM | ||
| Piano Trio in A minor, M. 67: 2. Pantoum (Assez vif) | Maurice Ravel, Beaux Arts Trio | D♭ Major | 0 | 3B | 117 BPM | ||
| Violin Concerto No. 1 in G Minor, Op. 26: III. Finale. Allegro energico | Max Bruch, Kyung Wha Chung, Royal Philharmonic Orchestra, Rudolf Kempe | A Major | 0 | 11B | 79 BPM | ||
| Sonata for Violin and Piano in A Major: Allegretto poco mosso | César Franck, Ray Chen, Noreen Polera | A Major | 2 | 11B | 96 BPM | ||
| String Quartet No. 3 in D Major, Op. 18 No. 3: 1. Allegro | Ludwig van Beethoven, Emerson String Quartet | D Major | 1 | 10B | 101 BPM | ||
| Carmen Fantasy, Op. 25: III. Allegro moderato | Pablo de Sarasate, Itzhak Perlman, New York Philharmonic, Zubin Mehta | D Major | 1 | 10B | 100 BPM | ||
| Violin Concerto No. 2 In G Minor, Op. 63: 2. Andante assai | Sergei Prokofiev, Gil Shaham, André Previn, London Symphony Orchestra | G Major | 1 | 9B | 64 BPM | ||
| Schubert: String Quintet in C Major, D. 956: III. Scherzo & Trio | Franz Schubert, Quatuor Ébène | A♭ Major | 3 | 4B | 156 BPM | ||
| Mozart: String Quartet No. 15 in D Minor, Op. 10 No. 2, K. 421: I. Allegro moderato | Wolfgang Amadeus Mozart, Quatuor Ébène | D Minor | 1 | 7A | 79 BPM | ||
| Masques et Bergamasques, suite, Op.112: 3. Gavotte | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | D Minor | 2 | 7A | 109 BPM | ||
| Piano Concerto in F Major: III. Allegro agitato | George Gershwin, Jon Nakamatsu, Jeff Tyzik, Rochester Philharmonic Orchestra | F Minor | 2 | 4A | 139 BPM | ||
| Violin Sonata No. 3 in C Minor, Op. 45: I. Allegro molto ed appassionato | Edvard Grieg, Frederic Chiu, Pierre Amoyal | C Major | 0 | 8B | 102 BPM | ||
| Piano Concerto No. 1 in D-Flat Major, Op. 10: II. Andante assai | Sergei Prokofiev, Evgeny Kissin, Berliner Philharmoniker, Claudio Abbado | F♯ Major | 1 | 2B | 170 BPM | ||
| Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Sarah Chang, Kurt Masur, Dresdner Philharmonie | C Minor | 2 | 5A | 118 BPM | ||
| Concerto for Oboe and Small Orchestra in D Major, Op. 144: III. Vivace - Allegro | Richard Strauss, François Leleux, Swedish Radio Symphony Orchestra, Daniel Harding | D Major | 2 | 10B | 126 BPM | ||
| Beethoven: Symphony No. 1 in C Major, Op. 21: IV. Adagio - Allegro molto e vivace | Ludwig van Beethoven, Wiener Philharmoniker, Sir Simon Rattle | C Major | 2 | 8B | 79 BPM | ||
| Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Ausdrucksvoll (English horn & bass clarinet) | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | E Minor | 2 | 9A | 87 BPM | ||
| Concertstück in F Major, Op. 86: Concertstuck in F Major, Op. 86: I. Lebhaft | Robert Schumann, American Horn Quartet, Sinfonia Varsovia, Dariusz Wisniewski | F Major | 1 | 7B | 73 BPM | ||
| Violin Concerto No. 1 in G Minor, Op. 26: III. Finale - Allegro energico - Redbook Stereo | Max Bruch, Jascha Heifetz, Sir Malcolm Sargent, The New Symphony Orchestra Of London | G Major | 3 | 9B | 105 BPM | ||
| Symphony No. 7 in D Minor, Op. 70, B. 141: I. Allegro maestoso | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | ||
| Piano Concerto in F-Sharp Minor, Op. 20: II. Andante | Alexander Scriabin, Konstantin Scherbakov, Moscow Philharmonic Orchestra, Igor Golovschin | E♭ Major | 0 | 5B | 81 BPM | ||
| Fantasia & Fugue in C Minor, Op. 86 (After J.S. Bach's BWV 537): Fantasia | Edward Elgar, Seattle Symphony Orchestra, Gerard Schwarz | F Minor | 1 | 4A | 143 BPM | ||
| Marchenbilder (Fairy Tales), Op. 113: III. Rasch | Robert Schumann, Tabea Zimmermann, Hartmut Höll | F Major | 1 | 7B | 82 BPM |