Eric Bibb's ' "Forgiveness Is Gold" was released on its scheduled release date, 2006. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 10 out of 13 in Diamond Days by Eric Bibb. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Forgiveness Is Gold is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Forgiveness Is Gold by Eric Bibb is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| So Cool | Pete Alderton | F♯ Major | 5 | 2B | 136 BPM | ||
| Get It Back | Reckoners | G Major | 5 | 9B | 130 BPM | ||
| Been Here Before | Christone "Kingfish" Ingram | A Major | 3 | 11B | 123 BPM | ||
| Stop Listening to the Blues | The Lachy Doley Group | G Major | 4 | 9B | 88 BPM | ||
| Walking Blues | Rory Block, Stefan Grossman | B♭ Major | 1 | 6B | 106 BPM | ||
| Slow Train | Hans Theessink | D Major | 2 | 10B | 112 BPM | ||
| I'm A Steady Rollin' Man - Studio | Peter Green Splinter Group | G Major | 4 | 9B | 124 BPM | ||
| I Can't Be Satisfied | Curtis Salgado, Alan Hager | D Major | 6 | 10B | 99 BPM | ||
| 'Till The Money Runs Out | John Hammond | G Major | 6 | 9B | 120 BPM | ||
| ROUND AND ROUND WE GO | Jean-Jacques Milteau, Hugh Coltman, Johan Dalgaard | E Major | 6 | 12B | 110 BPM | ||
| This Man | Robert Cray | B♭ Minor | 9 | 3A | 81 BPM | ||
| It Hurts Me Too | Jeremy Spencer | C Major | 2 | 8B | 185 BPM | ||
| Blue Drag | Allen Toussaint | A Minor | 2 | 8A | 111 BPM | ||
| The Beat Goes On | Patricia Barber | G Major | 1 | 9B | 103 BPM | ||
| Fish Ain't Bitin' | Corey Harris | G Major | 2 | 9B | 126 BPM | ||
| People Get Ready | Joe Robinson | B♭ Major | 3 | 6B | 148 BPM | ||
| You Got Mine | Luke Winslow-King | G Major | 4 | 9B | 166 BPM | ||
| I Can't Wait | Kenny Neal | G Major | 6 | 9B | 127 BPM | ||
| Mississippi Phone Booth | John Hiatt, Jerry Douglas | A Major | 6 | 11B | 178 BPM | ||
| You Gonna Miss Me | Eilen Jewell | G Minor | 6 | 6A | 78 BPM | ||
| The Danger Zone | Suzie Vinnick | D Major | 0 | 10B | 99 BPM | ||
| You Don't Know My Mind | Guy Davis | A Major | 3 | 11B | 127 BPM | ||
| More and More, Less and Less | Delbert McClinton & Glen Clark | E Major | 9 | 12B | 107 BPM | ||
| A HARD RAIN'S A-GONNA FALL | Jean-Jacques Milteau, Hugh Coltman, Johan Dalgaard | E Major | 6 | 12B | 110 BPM | ||
| Blues #572 | Johnnie Johnson | G Major | 3 | 9B | 107 BPM |