Silverstein, Anthony Raneri's ' "Texas Mickey" was released on its scheduled release date, January 1, 2011. The duration of This song is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Texas Mickey's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Rescue (Deluxe)". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Based on our statistics, Texas Mickey's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Texas Mickey by Silverstein, Anthony Raneri having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| This Conversation is Over | Alesana | D♭ Minor | 9 | 12A | 95 BPM | ||
| Thanks for Coming (I Like You Dead) | Hopes Die Last | E Minor | 9 | 9A | 98 BPM | ||
| Oceans Away | Chasing Victory | D♭ Minor | 9 | 12A | 182 BPM | ||
| Ever the Same, and Always Will Be | Hopes Die Last | F♯ Minor | 9 | 11A | 90 BPM | ||
| Sydney | Halifax | E♭ Minor | 10 | 2A | 102 BPM | ||
| Revelation Song | Finch | A♭ Minor | 10 | 1A | 176 BPM | ||
| Stuck Inside My Head | Hopes Die Last | D Major | 10 | 10B | 185 BPM | ||
| Here Today, Gone Tomorrow | Silverstein | F Minor | 9 | 4A | 186 BPM | ||
| Positiv-O | Chunk! No, Captain Chunk! | E♭ Major | 9 | 5B | 200 BPM | ||
| Swing | Taking Back Sunday | A♭ Major | 9 | 4B | 167 BPM | ||
| Disguising Mistakes With Goodbyes | Emery | E♭ Minor | 9 | 2A | 90 BPM | ||
| Tilting The Hourglass | Alesana | A Minor | 9 | 8A | 115 BPM | ||
| (Just Once) Let's Do Something Different | Boys Night Out | B Major | 10 | 1B | 105 BPM | ||
| Hell, Or High Water | Woe, Is Me | C Minor | 9 | 5A | 160 BPM | ||
| They Said A Storm Was Coming | Jamie's Elsewhere | F♯ Minor | 10 | 11A | 183 BPM | ||
| He's Dead Because Mommy Killed Him | For All Those Sleeping | F♯ Minor | 10 | 11A | 167 BPM | ||
| Shadows Like Statues | Matchbook Romance | D♭ Minor | 10 | 12A | 180 BPM | ||
| No Good | Anthony Raneri | A Major | 2 | 11B | 170 BPM | ||
| Stand Amid the Roar | Silverstein | F♯ Minor | 10 | 11A | 120 BPM | ||
| One Kiss | For All Those Sleeping | F♯ Minor | 10 | 11A | 158 BPM | ||
| Fame | Drop Dead, Gorgeous | G Major | 9 | 9B | 78 BPM | ||
| A Slave, A Son | Jamie's Elsewhere | B♭ Major | 10 | 6B | 90 BPM | ||
| Seasons | Jamie's Elsewhere | D♭ Minor | 10 | 12A | 165 BPM | ||
| Greener with the Scenery | The Used | F Major | 9 | 7B | 164 BPM | ||
| Sink Or Swim (S.O.S) | Chunk! No, Captain Chunk! | B♭ Major | 10 | 6B | 200 BPM |