Fernando Mauricio's 'Passos Da Rua' had a release date set for 1994. The duration of This song is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Passos Da Rua's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 12 in Fado É Condão by Fernando Mauricio. The popularity of Passos Da Rua is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Passos Da Rua by Fernando Mauricio is Presto (very, very fast), since this song has a tempo of 178 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fado dos saltimbancos | João Ferreira Rosa | D Major | 5 | 10B | 134 BPM | ||
| Maldito Fado | Rodrigo Pereira | A Major | 3 | 11B | 135 BPM | ||
| Renascimento | Argentina Santos | C Minor | 2 | 5A | 77 BPM | ||
| Grito | Gonçalo Salgueiro | C Minor | 1 | 5A | 95 BPM | ||
| O Malaquias Barbeiro | Emanuel Moura | E Major | 5 | 12B | 97 BPM | ||
| Tive um amor e deixei-o | Maria Da Fé | G Minor | 1 | 6A | 203 BPM | ||
| É mentira | Maria Da Fé | A Major | 5 | 11B | 125 BPM | ||
| Fado do Barnabé | Manuel João Vieira | C Minor | 3 | 5A | 124 BPM | ||
| A Rosinha dos Limões | Max | E Minor | 1 | 9A | 150 BPM | ||
| Cavalo à solta | Mafalda Arnauth | D Minor | 3 | 7A | 88 BPM | ||
| A Mulher Que Já Foi Tua | Carolina | D Major | 2 | 10B | 96 BPM | ||
| Se isto fosse Fado | Jorge Chorão | C Major | 2 | 8B | 136 BPM | ||
| Moda das tranças pretas | Vicente da Câmara, José da Câmara, Manuel da Câmara, Teresa da Câmara | B Major | 3 | 1B | 118 BPM | ||
| Fui Colhel Uma Romã | Grupo Coral de Cantares Regionais de Portel | G Major | 5 | 9B | 98 BPM | ||
| Erguem-se muros | Filipa Biscaia | F Major | 5 | 7B | 100 BPM | ||
| Asa branca | Isabel Silvestre | C Major | 4 | 8B | 103 BPM | ||
| Nos Dias de Hoje | Ricardo Ribeiro | A Minor | 4 | 8A | 97 BPM | ||
| Esta voz que me atravessa | Mafalda Arnauth | G Minor | 3 | 6A | 104 BPM | ||
| Fadista louco | António Mourão | B Minor | 5 | 10A | 131 BPM | ||
| Traz outro amigo também | Verdes Anos | E Minor | 4 | 9A | 70 BPM | ||
| Isabelinha | Emanuel Moura | D Major | 6 | 10B | 134 BPM | ||
| Os lugares por onde andámos | João Ferreira Rosa | A Major | 4 | 11B | 86 BPM | ||
| Lisboa Antiga | Tony De Matos | C Major | 3 | 8B | 181 BPM | ||
| Meu Bergantim | Teresa Tarouca | D♭ Major | 2 | 3B | 173 BPM | ||
| Paixoes Secretas | Rodrigo Costa Felix, Marta Pereira da Costa, Pedro Pinhal, Rodrigo Serrao | G Major | 4 | 9B | 93 BPM |