"Why Trust A Shark" by Thomas Newman had its release date on May 20, 2003. With This song being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 40 in Finding Nemo (Original Motion Picture Soundtrack) by Thomas Newman. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Why Trust A Shark is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Why Trust A Shark by Thomas Newman is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ain't That the Funniest Thing - Berserk - Dumbo Shunned - a Mouse! - Dumbo and Timothy - Dumbo the Great | Oliver Wallace, Ned Washington, Frank Churchill | C Major | 1 | 8B | 80 BPM | ||
| The Break-In | Dario Marianelli | A Minor | 2 | 8A | 124 BPM | ||
| Jumping Ship - From "Wreck-It Ralph"/Score | Henry Jackman | A♭ Major | 4 | 4B | 147 BPM | ||
| My Name Is Chance | Bruce Broughton | C Major | 0 | 8B | 120 BPM | ||
| Tell Me Everything | John Ottman | G Minor | 2 | 6A | 51 BPM | ||
| Borden Meets Sarah | The Prestige | E Minor | 1 | 9A | 74 BPM | ||
| The Leafy Galleon | Dario Marianelli | C Major | 0 | 8B | 139 BPM | ||
| The Great Secret | Patrick Doyle | A Minor | 0 | 8A | 88 BPM | ||
| Becky Flies | Thomas Newman | C Major | 0 | 8B | 92 BPM | ||
| The People You Care For | John Ottman | F Minor | 3 | 4A | 116 BPM | ||
| Sharpen the Battle Claws | David Hirschfelder | F Minor | 2 | 4A | 87 BPM | ||
| No Walls | Thomas Newman | C Major | 0 | 8B | 92 BPM | ||
| Tidal Wave | Harald Kloser | F Major | 5 | 7B | 145 BPM | ||
| Cabin in the Woods | Heitor Pereira | A♭ Major | 0 | 4B | 76 BPM | ||
| "A Good Man in the Dirt" | Thomas Newman, Thomas Bowes, London Voices, Ben Parry, Terry Edwards, Grace Davidson, George Doering, Phil Todd, Sonia Slany, Paul Clarvis, Nick Cooper, Andrew Cronshaw | G Minor | 1 | 6A | 151 BPM | ||
| Arrival at National Archives | Trevor Rabin | E Minor | 5 | 9A | 110 BPM | ||
| Walk The Plank | Klaus Badelt | D Major | 3 | 10B | 122 BPM | ||
| Returning to the Hundred Acre Wood | Geoff Zanelli, Jon Brion | A Minor | 0 | 8A | 140 BPM | ||
| Desert Island - Bonus Track | Roque Baños | D Minor | 1 | 7A | 64 BPM | ||
| It's Not Stress, It's Pooh | Geoff Zanelli, Jon Brion | G Minor | 1 | 6A | 164 BPM | ||
| Moving to Australia | Heitor Pereira | A Minor | 1 | 8A | 133 BPM | ||
| In Love and In Trouble - From "Mulan II"/Score | Joel McNeely | E Minor | 1 | 9A | 174 BPM | ||
| Torching the Flock | Nathan Johnson | C Major | 2 | 8B | 132 BPM | ||
| Muntz's Dark Reverie | Skywalker Sound | C Minor | 1 | 5A | 172 BPM | ||
| Weasel Shakedown | Michael Giacchino | G Major | 3 | 9B | 83 BPM |