George Fenton's 'Phil Steals The Money' had a release date set for March 9, 1993. With This song being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Fenton's "GROUNDHOG DAY: Music From The Original Motion Picture Soundtrack" album is number 10 out of 18. On top of that, United States appears to be the country where this track was created. Based on our statistics, Phil Steals The Money's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Phil Steals The Money by George Fenton to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Thunderbird 4 | Barry Gray | D Major | 8 | 10B | 124 BPM | ||
| The Rescue | John Frizzell | G Major | 2 | 9B | 142 BPM | ||
| The Wrong Cat | Alexandra Harwood | F Major | 2 | 7B | 67 BPM | ||
| Graysmith Obsessed | David Shire | G Minor | 1 | 6A | 120 BPM | ||
| Barcodes | Dave Porter | C Major | 1 | 8B | 74 BPM | ||
| Simon's Secret | Joel P West | E♭ Major | 2 | 5B | 70 BPM | ||
| The Mouse on the Mile | Thomas Newman | F♯ Major | 1 | 2B | 117 BPM | ||
| Walking to shoot [Gosford Park - Original Motion Picture Soundtrack] | Patrick Doyle, Orchestra, James Shearman | B♭ Minor | 2 | 3A | 113 BPM | ||
| What A Beautiful Day! | George Fenton | E Major | 3 | 12B | 125 BPM | ||
| Tornado Warning | Harald Kloser | D♭ Major | 1 | 3B | 139 BPM | ||
| Knives Out!, Pt. II (The Will) | Nathan Johnson | G Major | 3 | 9B | 113 BPM | ||
| Evacuation Kids | Edward Farmer, Martin Phipps | G Major | 2 | 9B | 97 BPM | ||
| Tea Party | Tom Howe | F Minor | 4 | 4A | 135 BPM | ||
| A Caribbean Mystery - Island | Dominik Scherrer | E Minor | 4 | 9A | 120 BPM | ||
| Peur Sur La Ville (Final) | Ennio Morricone | F♯ Minor | 3 | 11A | 160 BPM | ||
| Harlan's Plan | Nathan Johnson | D Major | 2 | 10B | 85 BPM | ||
| Call for the Ambassador | Marcelo Zarvos | C Minor | 2 | 5A | 144 BPM | ||
| I, Robot Theme (End Credits) | Marco Beltrami | D♭ Major | 6 | 3B | 120 BPM | ||
| As Far As Florence | Academy of St. Martin in the Fields, Gabriel Yared | D Major | 1 | 10B | 73 BPM | ||
| Walk On The Wild Side - Remastered | Si Zentner | F Major | 3 | 7B | 109 BPM | ||
| Space Station Docking - From "2001: A Space Odyssey" | Alex North | A Minor | 2 | 8A | 102 BPM | ||
| Loved By Women | Luis Bacalov | G Minor | 4 | 6A | 172 BPM | ||
| How Many? | Dave Porter | A Minor | 2 | 8A | 80 BPM | ||
| Clear All Moorings - Star Trek VI/Soundtrack Version | Cliff Eidelman | D Major | 1 | 10B | 71 BPM | ||
| I'll Always Go Back To That Church | Academy of St. Martin in the Fields, Gabriel Yared | D Major | 2 | 10B | 133 BPM |