"Álbum de Amor: II. Cerca de tus ojos..." by Héctor Rojas had its release date on 1998. With This song being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Hector Rojas's "Manuel M. Ponce Obra Completa para Piano" album is number 18 out of 186. On top of that, Mexico appears to be the country where this track was created. Based on our statistics, Álbum de Amor: II. Cerca de tus ojos...'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Álbum de Amor: II. Cerca de tus ojos... by Héctor Rojas to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Scherzino Mexicano | Adam Holzman, Manuel Ponce | D Major | 1 | 10B | 126 BPM | ||
| Concierto de Aranjuez: II. Adagio | Joaquín Rodrigo, Raphaël Feuillâtre, Verbier Festival Chamber Orchestra, Gábor Takács-Nagy, Verbier Festival Orchestra | B Minor | 1 | 10A | 116 BPM | ||
| Capriccio brillant, Op. 22: Andante | Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra | B Major | 0 | 1B | 91 BPM | ||
| Die Nacht, D. deest (Arr. Lechner/Márquez for Cello & Guitar) | Franz Schubert, Anja Lechner, Pablo Marquez | G Major | 0 | 9B | 85 BPM | ||
| Un Dia de Noviembre | Leo Brouwer, Laura Mazon Franqui | A Minor | 1 | 8A | 117 BPM | ||
| Flores de la montana (Arr. A. Lauro) | Raul Borges, Victor Villadangos | D Major | 0 | 10B | 98 BPM | ||
| Piano Concerto: 1st movement: Allegro non troppo | Manuel Ponce, Jorge Federico Osorio, The State of Mexico Symphony Orchestra, Enrique Bátiz | E♭ Major | 0 | 5B | 90 BPM | ||
| Homenaje a Tarrega: I. Garrotin | Joaquín Turina, Sebastien Llinares | D Major | 2 | 10B | 141 BPM | ||
| 8 Etudes: 24 Studies, Op. 35, "Exercises": No. 17 in D major | Norbert Kraft | A Major | 0 | 11B | 127 BPM | ||
| 8 Pièces brèves, Op. 84: No. 5, Improvisation in C-Sharp Minor | Gabriel Fauré, Christine Croshaw | F♯ Minor | 0 | 11A | 70 BPM | ||
| Variations On A Theme By Chopin: Variation 1. Tranquillo e molto amabile | Federico Mompou, Daniil Trifonov | A Major | 0 | 11B | 66 BPM | ||
| Fantasía para un Gentilhombre: IV. Canario | Joaquín Rodrigo, Julian Bream, Leo Brouwer, RCA Victor Chamber Orchestra | D Major | 3 | 10B | 141 BPM | ||
| Hora libre (Free Hour) | Victor Villadangos | G Major | 1 | 9B | 98 BPM | ||
| Suite Buenos Aires: No. 3, San Telmo | Maximo Diego Pujol, Csaba Szabo, Accord Quartet | E Minor | 2 | 9A | 99 BPM | ||
| Swan and Maiden | Weinan Xia, Xianji Liu | G Major | 1 | 9B | 147 BPM | ||
| 24 Preludes: No. 1 In C Major | Adam Holzman, Manuel Ponce | C Major | 1 | 8B | 85 BPM | ||
| Mahler Adagietto Variation (From Symphony No. 5 in C-Sharp Minor, Arr. for Violin and Piano by Jan-Peter Klöpfel) | Gustav Mahler, Gabriele Bagnati, Esther Abrami | F Major | 2 | 7B | 82 BPM | ||
| Pavane | Tim Thorpe | E Major | 1 | 12B | 57 BPM | ||
| Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: Song without Words, Op. 19, No. 6, Venetian Boat Song I | Felix Mendelssohn, Gerald Garcia | B Minor | 0 | 10A | 48 BPM | ||
| Suite populaire Brésilienne, W020: II. Schottish-chôro | Heitor Villa-Lobos, Mickael Viegas | A Major | 1 | 11B | 107 BPM | ||
| Sonata, Op. 61: III. Allegro Vivo | Joaquín Turina, Shiri Coneh | G Minor | 2 | 6A | 114 BPM | ||
| Handel: Suite No.4 In D Minor For Harpsichord, HWV 437: 3. Sarabande (Arr. For Solo Guitar By Andrés Segovia) | George Frideric Handel, Andrés Segovia | D Minor | 3 | 7A | 86 BPM | ||
| Pièces de clavecin, Book 2, Ordre sixième: No. 5, Les baricades mistérieuses (Arr. X. Jara for Guitar) | François Couperin, Xavier Jara | A Major | 2 | 11B | 76 BPM | ||
| Greeting Cards, Op. 170: No. 14, Ninna Nanna, a Lullaby for Eugene | Mario Castelnuovo-Tedesco, Andrea de Vitis | A Minor | 0 | 8A | 178 BPM | ||
| Cello Sonata in G Minor, Op. 65: III. Largo | Frédéric Chopin, Camille Thomas, Julien Brocal | D Major | 1 | 10B | 72 BPM |