On August 10, 2006, the song "Ma Pawa Te Gadhthi Utrya" was released by Master Rana. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 21 in the song's album "Sonano Garbo". In this album, this song's track order is #2. Furthermore, we believe that the track originated from India. Based on our statistics, Ma Pawa Te Gadhthi Utrya's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Ma Pawa Te Gadhthi Utrya by Master Rana having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mere Deen Dayal | Madhavas Rock Band, Navayogendra Swami Maharaj, Nirdosh Sobti | B Major | 4 | 1B | 90 BPM | ||
| Niti Pravin Stotram | Sameer Vijaykumar | E Major | 4 | 12B | 103 BPM | ||
| Udja Hans Akela | Master Rana | F Minor | 5 | 4A | 126 BPM | ||
| Kachi Re Matinu Kodiyu | Hari Bharwad | A♭ Major | 5 | 4B | 106 BPM | ||
| Meri Jhopdi Ke Bhag Aaj Jag Jayenge | Devendra Pathak | F♯ Major | 9 | 2B | 80 BPM | ||
| Kanha Bansi Roj Bajana | Master Rana | F♯ Major | 8 | 2B | 153 BPM | ||
| Mera Dil To Deewana Ho Gaya Re | Manoj Sharma Gwalior | A♭ Major | 8 | 4B | 89 BPM | ||
| Shiv Amritwani 2 | Chetna | F Major | 6 | 7B | 140 BPM | ||
| Mera Koi Na Sahara Bin Tere Ghanshyam | Puran Shiva | D Major | 6 | 10B | 80 BPM | ||
| Terah Pediya - Vivek Sharma | Vivek Sharma | A Major | 7 | 11B | 132 BPM | ||
| WAKE AMBODE SHRINATHJI | Nidhi Dholkiya | C Minor | 6 | 5A | 106 BPM | ||
| Sona Rupa Ka Ghada (Jhalariya) | Vaishali Sen, Motha Kharte | G Major | 5 | 9B | 190 BPM | ||
| Tera Diwla Jagmag Hoi | Gyanendra Sharma | A♭ Major | 7 | 4B | 137 BPM | ||
| Jalaram Bavani | Kardam Sharma Joshi, Kavita Raam | F♯ Major | 7 | 2B | 128 BPM | ||
| Ekali Khadi Re Meera Bai Ekali Khadi | Radha Krishna Maharaj | F Minor | 7 | 4A | 79 BPM | ||
| Main Jab Bhi Pukaru Maa Tum Dodi Chali Aana | Simran Rathore | F Minor | 9 | 4A | 218 BPM | ||
| Na Mane Na Mane Re Mata Mahakali | Shahnaz Akhtar | D♭ Major | 8 | 3B | 102 BPM | ||
| Bal Samay Ravi Bhaksh | Ravindra Jain | E♭ Minor | 4 | 2A | 180 BPM | ||
| Dur Nagari Badi Dur | Master Rana | F Minor | 5 | 4A | 126 BPM | ||
| Tu Mane Bhagwan Ek Vardan Aapi De | Nikita Waghela | F Minor | 1 | 4A | 95 BPM | ||
| Jai radhe krishna govind | Shradey gaurav krishna goswami | D♭ Major | 6 | 3B | 104 BPM | ||
| Shiv Lehri Ke Darbar Me Sabka Khata Hai | Niranjan Pandya | A♭ Minor | 8 | 1A | 86 BPM | ||
| Rumzum Pagle Chale Shrinathji | Master Rana | A♭ Major | 4 | 4B | 90 BPM | ||
| Dena Hai To Dijiye Janam Janam Ka Sath | Naresh Raina | G Major | 8 | 9B | 140 BPM | ||
| Chhum Chhum Baje Ghunghariya | NARAYANSWAMI | A♭ Major | 5 | 4B | 155 BPM |