"One Eight Four: On-Scene" by Masafumi Takada had its release date on October 13, 2014. With This song being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 17 in the song's album "The Evil Within: Original Game Soundtrack". In this album, this song's track order is #3. Based on our statistics, One Eight Four: On-Scene's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With One Eight Four: On-Scene by Masafumi Takada having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 大胆フテキ | TECHNOBOYS PULCRAFT GREEN-FUND | F♯ Minor | 8 | 11A | 126 BPM | ||
| Armor Town | WayForward | B Minor | 8 | 10A | 128 BPM | ||
| 黒点 | 藤澤慶昌 | F Major | 4 | 7B | 170 BPM | ||
| 絶対希望バースデー | 狛枝凪斗(cv.緒方恵美) | A Minor | 9 | 8A | 88 BPM | ||
| You Were Wrong. Go Back. | Omori | B Minor | 9 | 10A | 150 BPM | ||
| Heaven's Shore | Bell Kalengar | D Major | 9 | 10B | 148 BPM | ||
| Beautiful Days | Masafumi Takada | A Major | 8 | 11B | 132 BPM | ||
| Non-Stop Debate - Power Through (Chapter 0) | Robby Good | A♭ Minor | 6 | 1A | 141 BPM | ||
| Theme Of Bayonetta 2 - Tomorrow Is Mine | Keeley Bumford | D♭ Minor | 9 | 12A | 142 BPM | ||
| Vs. Susie | Toby Fox | A♭ Minor | 8 | 1A | 148 BPM | ||
| Night Hill | John Fraser | C Major | 4 | 8B | 113 BPM | ||
| Shape Da Future | Hideki Naganuma | D♭ Major | 10 | 3B | 132 BPM | ||
| Da Vinci Tutorial Music | Kenneth C M Young | C Minor | 6 | 5A | 156 BPM | ||
| 大江戸戦士トノサマン | Masakazu Sugimori | E Minor | 8 | 9A | 143 BPM | ||
| Tokyo Daylight | Lyn | A Major | 9 | 11B | 128 BPM | ||
| 問罪 -monzAI- | Keisuke Ito | G Major | 7 | 9B | 94 BPM | ||
| Scrum Debate (From "Danganronpa") | Neraki | B Major | 10 | 1B | 170 BPM | ||
| Chaos Assembly | Omori | B♭ Major | 7 | 6B | 120 BPM | ||
| Issyun to Eien | 平田 博信 | F Major | 6 | 7B | 116 BPM | ||
| Skullgirls: All That Endures | Darren Malley | B♭ Minor | 9 | 3A | 119 BPM | ||
| Roses | Funkin' Sound Team, Kawai Sprite | A♭ Major | 9 | 4B | 120 BPM | ||
| NOISY NOISE | 石元 丈晴 | B Major | 9 | 1B | 160 BPM | ||
| V3 Argument -BLADE LOCK- | Masafumi Takada | G Major | 10 | 9B | 175 BPM | ||
| Sayo-Nara | Dan Salvato | C Major | 1 | 8B | 124 BPM | ||
| HAPPY☆センセーション / Happy Sensation | Soichi Terada | C Major | 10 | 8B | 144 BPM |