"Infinity Gradient: Section 6" by Tristan Perich, James McVinnie had its release date on November 21, 2025. This song appears to be safe for all ages as it is not explicit. The track order of this song in Tristan Perich, James McVinnie's "Infinity Gradient" album is number 7 out of 8. On top of that, United Kingdom appears to be the country where this track was created. Infinity Gradient: Section 6 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Infinity Gradient: Section 6 by Tristan Perich, James McVinnie to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Case Study 2 | Taylor Deupree, The Humble Bee | A Minor | 1 | 8A | 66 BPM | ||
| Ancient Rivers | DOVS | A Minor | 1 | 8A | 85 BPM | ||
| Echo's refrain | Arp, Takuma Watanabe | E♭ Major | 2 | 5B | 81 BPM | ||
| murmur | Tashi Dorji | E♭ Major | 4 | 5B | 127 BPM | ||
| Aeropsia | Steve Hauschildt | B Major | 4 | 1B | 58 BPM | ||
| For Days | K. Leimer | E♭ Major | 4 | 5B | 127 BPM | ||
| It Happened Once | Elori Saxl | E Major | 3 | 12B | 118 BPM | ||
| Now Claims My Timid Sight | Aris Kindt | D Minor | 2 | 7A | 164 BPM | ||
| The Action of Being Primitive | Tristan Perich | B♭ Minor | 10 | 3A | 205 BPM | ||
| Even The Horizon Knows Its Bounds VII | Lawrence English, Jim O'Rourke, Stephen Vitiello, Chris Abrahams, claire rousay | D♭ Minor | 4 | 12A | 132 BPM | ||
| Orchard | Drew Daniel, The Soft Pink Truth | E♭ Major | 4 | 5B | 127 BPM | ||
| Saichh Sequences | Aris Kindt | B♭ Major | 3 | 6B | 164 BPM | ||
| Rathausdach | Läuten der Seele | E♭ Major | 4 | 5B | 127 BPM | ||
| Open Symmetry: Section 3 | Tristan Perich, Ensemble 0 | C Major | 7 | 8B | 145 BPM | ||
| Between | Kara-Lis Coverdale | F Minor | 2 | 4A | 170 BPM | ||
| stitch | KMRU | E♭ Major | 1 | 5B | 63 BPM | ||
| We Ditched School and Climbed Over the Neighbour's Fence to Swim in their Pool All Day | Dylan Henner | F Major | 2 | 7B | 80 BPM | ||
| Without Wind, Without Air | Roger Eno, Grace Davidson | G Major | 1 | 9B | 72 BPM | ||
| Noise Patterns: Section 4 | Tristan Perich | D♭ Major | 10 | 3B | 140 BPM | ||
| conditional love | claire rousay | F♯ Minor | 7 | 11A | 57 BPM | ||
| Systol Nightshade | Billow Observatory | D Major | 1 | 10B | 78 BPM | ||
| In Memory's Prism - Meditation Edit | Natural Information Society | D♭ Major | 1 | 3B | 139 BPM | ||
| Duvet I | Laurie Torres | A Major | 2 | 11B | 128 BPM | ||
| Changement de pas | Natasha Pirard | A♭ Major | 3 | 4B | 69 BPM | ||
| Quadrivium | Almost An Island, marine eyes, Kenneth James Gibson, James Bernard | D Major | 3 | 10B | 120 BPM |