Rajnahan, Barshana Chetia, Sanjeeb Akash, Bhaskar Neelom's ' "Pati Lua Bhaiti (From "Nang Seng Vol-3 2025")" was released on its scheduled release date, March 7, 2025. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Since Pati Lua Bhaiti (From "Nang Seng Vol-3 2025") only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from India. Based on our statistics, Pati Lua Bhaiti (From "Nang Seng Vol-3 2025")'s popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Pati Lua Bhaiti (From "Nang Seng Vol-3 2025") by Rajnahan, Barshana Chetia, Sanjeeb Akash, Bhaskar Neelom having a BPM of 159 with a half-time of 80 BPM and a double-time of 318 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 3/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Borluit | Rajib Sadiya | D Major | 8 | 10B | 103 BPM | ||
| Hae Lo Mora Kandhei Rani | S Jitu, Soujannya Rath | A♭ Minor | 8 | 1A | 180 BPM | ||
| Saheb Jai | Zublee Baruah | E Major | 7 | 12B | 172 BPM | ||
| Hahite Morom | Achurjya Borpatra | B Major | 5 | 1B | 130 BPM | ||
| Aswk Khe Nono Mang | Sumit Debbarma, Bipasha Reang | A♭ Major | 7 | 4B | 80 BPM | ||
| Uposi Pore | Rupjyoti | G Major | 8 | 9B | 125 BPM | ||
| Oh Jora | Manik Debbarma, Bipasha Reang | G Major | 6 | 9B | 85 BPM | ||
| Etula Kesa Xun ( Saah Dile Nohobo ) | Kussum Kailash, Deeplina Deka | F Major | 7 | 7B | 146 BPM | ||
| Karbug Takar (feat. Nisha Ome) | Rama Doley, Nisha Ome | E Major | 6 | 12B | 94 BPM | ||
| NIGORI NIGORI | Dipanwita Deka, Amit Khanikar | B Major | 7 | 1B | 123 BPM | ||
| Bukut Mare Bijuli | Dipanwita Deka, Alak Nath, Saurav Kr Das, Bijoy Sankar | G Major | 7 | 9B | 186 BPM | ||
| Beleg Ejoni Sa | Pranjana Priya, Rajnahan, Bhaskar Neelam | C Major | 6 | 8B | 144 BPM | ||
| Dusta Kanai | Rajnahan | B♭ Major | 6 | 6B | 82 BPM | ||
| LAHI JUN | Zubeen Garg, Hengool Theatre | B Major | 7 | 1B | 106 BPM | ||
| O mur deha oi | Aditi Boruah, Rajnahan | B Major | 6 | 1B | 124 BPM | ||
| Kasijun | Akash Pritom, Minakshi Madhupriya | C Major | 5 | 8B | 84 BPM | ||
| Premor Paltora Nau | Rakesh Reeyan, Pronami Konwar | C Major | 6 | 8B | 150 BPM | ||
| Luhasathe Bandhana - Original | Babushaan, Tapu Mishra | G Minor | 7 | 6A | 83 BPM | ||
| Emitika Nida Dia Jagannatha | Sourav Bharadwaj | C Major | 6 | 8B | 150 BPM | ||
| Dhola Sodia | Bidyot Borphukon, Rajnahan, Abinash Priyam | F Major | 5 | 7B | 82 BPM | ||
| Moinakon Bakhor | Ruptan Neel, Priyanka Bharali | C Major | 7 | 8B | 147 BPM | ||
| Nahoror Sirili Paat | Gitanjali Das | E♭ Minor | 6 | 2A | 106 BPM | ||
| GOHONA | Amrit Tanti, Jyotika Baruah | G Major | 5 | 9B | 143 BPM | ||
| SOYUNG | Dev Taid, Nisha Ome | B Major | 5 | 1B | 82 BPM | ||
| Jun Dhuniya | Akash Riyen, Barshana Chetia | D♭ Major | 6 | 3B | 135 BPM |