Saves The Day's ' "All I'm Losing Is Me" was released on its scheduled release date, July 10, 2001. The duration of This song is about 3 minutes long, at 3:22. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 11 in the song's album "Stay What You Are". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. Based on our statistics, All I'm Losing Is Me's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With All I'm Losing Is Me by Saves The Day having a BPM of 146 with a half-time of 73 BPM and a double-time of 292 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rich People Can Breed | Piebald | C Major | 9 | 8B | 159 BPM | ||
| Post Script | Finch | D♭ Major | 8 | 3B | 100 BPM | ||
| Into The Dark | The Juliana Theory | D Minor | 7 | 7A | 148 BPM | ||
| Never Sometimes | New Found Glory | F♯ Minor | 8 | 11A | 80 BPM | ||
| Scary | The Movielife | A♭ Major | 9 | 4B | 108 BPM | ||
| Every Turn | Hey Mercedes | C Major | 8 | 8B | 140 BPM | ||
| Shiksa (Girlfriend) | Say Anything | B Major | 9 | 1B | 94 BPM | ||
| Turpentine Chaser | Dashboard Confessional | F Minor | 4 | 4A | 166 BPM | ||
| Blue Burns Orange | Hawthorne Heights | B Minor | 8 | 10A | 172 BPM | ||
| Better For You | Reggie And The Full Effect | F♯ Minor | 10 | 11A | 163 BPM | ||
| The Bradley | Further Seems Forever | B♭ Minor | 9 | 3A | 146 BPM | ||
| It's Dylan, You Know the Drill | Boys Night Out | D Major | 10 | 10B | 104 BPM | ||
| Season | The Academy Is... | B Minor | 8 | 10A | 173 BPM | ||
| Look, I Just Don't Like You | Piebald | C Major | 8 | 8B | 144 BPM | ||
| Till We Earned a Holiday | The Anniversary | A Major | 8 | 11B | 145 BPM | ||
| Dreaming A Reality | Senses Fail | E♭ Major | 4 | 5B | 96 BPM | ||
| Sore Thumb | The Format | D♭ Minor | 8 | 12A | 80 BPM | ||
| Leaving | The Starting Line | B Major | 7 | 1B | 145 BPM | ||
| A Year Spent Cold | Name Taken | D Major | 9 | 10B | 180 BPM | ||
| Eleven to Your Seven | Hey Mercedes | A Major | 9 | 11B | 152 BPM | ||
| Stay Tonight | Matchbook Romance | E♭ Major | 10 | 5B | 90 BPM | ||
| I Took A Beating | I Am The Avalanche | D♭ Major | 9 | 3B | 110 BPM | ||
| Something That Produces Results | The Early November | F♯ Major | 4 | 2B | 100 BPM | ||
| Deal With It | The Movielife | E Major | 9 | 12B | 99 BPM | ||
| Hart Crane | The Anniversary | B Minor | 9 | 10A | 153 BPM |