Shirley Bassey's 'The Impossible Dream' had a release date set for January 1, 1967. The duration of This song is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. The Impossible Dream's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 10 in And We Were Lovers by Shirley Bassey. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, The Impossible Dream is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Impossible Dream by Shirley Bassey is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Yesterday When I Was Young | Dusty Springfield | A Minor | 5 | 8A | 85 BPM | ||
| Title Song - From What Ever Happened to Baby Jane?, 1962 | Debbie Burton, Bette Davis | G Minor | 6 | 6A | 134 BPM | ||
| Willkommen | Joel Grey | A Minor | 5 | 8A | 146 BPM | ||
| Happy Together | Mel Tormé | B Minor | 4 | 10A | 121 BPM | ||
| Believer | Sydnie Christmas | A Major | 8 | 11B | 85 BPM | ||
| You Ain't Woman Enough To Take My Man - 2025 Remaster | Tina Turner | B Major | 8 | 1B | 132 BPM | ||
| Welcome To The Theatre | Charles Strouse, Lauren Bacall | B Major | 3 | 1B | 120 BPM | ||
| Everybody Loves Somebody | Deana Martin | C Major | 5 | 8B | 78 BPM | ||
| Ballroom: Fifty Percent | Billy Goldenberg, Dorothy Loudon, Les Scott | E♭ Major | 3 | 5B | 80 BPM | ||
| Yesterday, When I Was Young - 1994 Remaster | Shirley Bassey | A Minor | 5 | 8A | 95 BPM | ||
| Better Be Good to Me | Adrienne Warren, Tina: The Tina Turner Musical Original London Company | A♭ Minor | 5 | 1A | 99 BPM | ||
| Old Man River | The Righteous Brothers | C Major | 0 | 8B | 96 BPM | ||
| I’m Not Anyone | Marc Almond | G Major | 5 | 9B | 77 BPM | ||
| Serenade | Della Reese | E Minor | 2 | 9A | 168 BPM | ||
| Wheel Of Fortune | Kay Starr | G Major | 2 | 9B | 142 BPM | ||
| I Haven't Got Time To Cry | Irma Thomas | G Major | 7 | 9B | 99 BPM | ||
| Play It Sam... Play "As Time Goes By" | The Warner Bros. Studio Orchestra | D♭ Major | 4 | 3B | 123 BPM | ||
| Nobody Does It Better - Live | Carly Simon | B♭ Major | 5 | 6B | 141 BPM | ||
| Me (Extended Version) - The Deluxe Edition | Alan Silvestri | C Minor | 3 | 5A | 132 BPM | ||
| Gone Under | Sydnie Christmas | F♯ Major | 6 | 2B | 104 BPM | ||
| Walk on By - 2003 Remaster | Helen Shapiro | E Major | 4 | 12B | 200 BPM | ||
| Do You Know What It's Like To Be Lonesome | Jerry Wallace | A Major | 9 | 11B | 87 BPM | ||
| Ebb Tide | The Righteous Brothers | A Major | 2 | 11B | 83 BPM | ||
| Love Me, Please Love Me - Italian Version | Sandie Shaw | B♭ Major | 5 | 6B | 101 BPM | ||
| Lili Marlene (From "Seven Sinners") | Marlene Dietrich | E♭ Major | 1 | 5B | 116 BPM |