"Spem In Alium (Tallis)" by The King's Singers had its release date on March 31, 2008. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 48 in the song's album "The King's Singers Collection". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Based on our statistics, Spem In Alium (Tallis)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Spem In Alium (Tallis) by The King's Singers having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Interview With The King's Singers | The King's Singers | G Major | 1 | 9B | 102 BPM | ||
| Allegri (Roberts): Miserere (Omitting Verses 7-18) | Gregorio Allegri, Peter Phillips, The Tallis Scholars | G Minor | 1 | 6A | 67 BPM | ||
| All-night Vigil, Op. 37: No. 6, Rejoice, O Virgin Mother | Sergei Rachmaninoff, Latvijas Radio koris, Sigvards Kļava | G Minor | 0 | 6A | 144 BPM | ||
| Sally Gardens | The King's Singers | F Major | 0 | 7B | 170 BPM | ||
| Northern Lights | Sjaella | E♭ Minor | 0 | 2A | 105 BPM | ||
| Brigg Fair | The King's Singers | C Minor | 0 | 5A | 126 BPM | ||
| Arvo Pärt : O Adonaï | Unknown, Mikrokosmos | D♭ Major | 0 | 3B | 168 BPM | ||
| The Lord's Prayer | John Tavener, The King's Singers | G Minor | 1 | 6A | 82 BPM | ||
| Vespers, Op. 37: V. "Nyne otpushchayeshi" | Sergei Rachmaninoff, Vladimir Mostovoy, St.Petersburg Chamber Choir, Nikolai Korniev | F♯ Major | 0 | 2B | 135 BPM | ||
| Mass for Double Choir: Kyrie | Frank Martin, Mikaeli Chamber Choir, Anders Eby | A Minor | 0 | 8A | 88 BPM | ||
| Hush, no More (Sleep) | Henry Purcell, Sjaella | B Minor | 0 | 10A | 97 BPM | ||
| Liturgy of St. John Chrysostom, Op. 41: VI. Hymn of the Cherubim | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E Minor | 0 | 9A | 85 BPM | ||
| House Of Winter (Peter Maxwell Davies) | The King's Singers | B Major | 0 | 1B | 170 BPM | ||
| Pater noster | Pēteris Vasks, Latvian Radio Choir, Sinfonietta Riga, Sigvards Kļava | C Major | 0 | 8B | 68 BPM | ||
| Nymphes, nappés | Josquin des Prez, The King's Singers | D Minor | 2 | 7A | 108 BPM | ||
| Tykus tykus | Vaclovas Augustinas, En Kör | C Major | 1 | 8B | 82 BPM | ||
| Spaseniye sodelal yesi posrede zemli (Salvation is Created), Op. 25, No. 5 | Pavel Chesnokov, Dale Warland Singers, Dale Warland | D Major | 0 | 10B | 133 BPM | ||
| Notre Père, Op. 14: Notre Pere, Op. 14 | Maurice Duruflé, The King's Singers | F Major | 1 | 7B | 128 BPM | ||
| Symphonia et Ordo virtutum: O Euchari, in leta via | Hildegard von Bingen, Elin Manahan Thomas | D♭ Minor | 0 | 12A | 82 BPM | ||
| All-night Vigil, Op. 37: No. 5, Lord, Now Lettest Thou | Sergei Rachmaninoff, Latvijas Radio koris, Sigvards Kļava | E♭ Minor | 0 | 2A | 65 BPM | ||
| To the Hands: No. 4, Ever Ever Ever | Caroline Shaw, The Crossing, International Contemporary Ensemble, Donald Nally | A Minor | 1 | 8A | 111 BPM | ||
| Upon Your Heart | Eleanor Daley, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | E Major | 1 | 12B | 71 BPM | ||
| Nonsense Madrigals: III. The Alphabet | György Ligeti, The King's Singers | B♭ Minor | 1 | 3A | 101 BPM | ||
| The Spheres | Ola Gjeilo, Phoenix Chorale, Charles Bruffy | D♭ Minor | 0 | 12A | 131 BPM | ||
| And the Swallow | Caroline Shaw, The Chapel Choir of Pembroke College, Cambridge, Anna Lapwood | B♭ Minor | 1 | 3A | 90 BPM |