"Finale Act II" by Rise Stevens, Jo Sullivan, Sadie McCollum, Robert Merrill, Peter Palmer, Michael Kermoyan, Eugene Morgan, The Chocolate Soldier Ensemble (1958) had its release date on 1958. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 15 in the song's album "The Chocolate Soldier". In this album, this song's track order is #12. Finale Act II is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Finale Act II by Rise Stevens, Jo Sullivan, Sadie McCollum, Robert Merrill, Peter Palmer, Michael Kermoyan, Eugene Morgan, The Chocolate Soldier Ensemble (1958) having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Don Giovanni, K. 527, Act II: Finale - Don Giovanni, a cenar teco | Wolfgang Amadeus Mozart, Benjamin Holder, Hungarian Studio Orchestra, Hungarian Studio Choir | A Major | 1 | 11B | 52 BPM | ||
| La Bohème / Act 1: "Sì. Mi chiamano Mimì" (Aria) - "Ehi! Rodolfo!" | Giacomo Puccini, Renata Tebaldi, Carlo Bergonzi, Renato Cesari, Cesare Siepi, Ettore Bastianini, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin | D Major | 2 | 10B | 130 BPM | ||
| The Mikado / Act 1: 20. Ye torrents roar! Ye tempests howl! | Arthur Sullivan, Valerie Masterson, Lyndsie Holland, Colin Wright, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | D Major | 3 | 10B | 104 BPM | ||
| La Boheme: Acto III: "Donde Lieta Usce" | Victoria de los Ángeles | D♭ Major | 1 | 3B | 98 BPM | ||
| Samson and Delilah (Highlights): Act II, Scene II, "Se pourrait-il?" | Camille Saint-Saëns, Rise Stevens, Jan Peerce, Robert Merrill, Robert Shaw Chorale, NBC Symphony Orchestra, Leopold Stokowski | D Minor | 2 | 7A | 86 BPM | ||
| Samson et Dalila, Op. 47: Act II: Samson, recherchant ma presence, (Dalila) | Camille Saint-Saëns, Rise Stevens, Mario del Monaco, Martial Singher, Norman Scott, Giorgio Tozzi, Robert Nagy, Gabor Carelli, Osie Hawkins, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, Anonymous, Fausto Cleva | B♭ Major | 4 | 6B | 94 BPM | ||
| Samson and Delilah (Highlights): Act III, Scene II, "Bacchanale" | Camille Saint-Saëns, Rise Stevens, Jan Peerce, Robert Merrill, Robert Shaw Chorale, NBC Symphony Orchestra, Leopold Stokowski | D Minor | 4 | 7A | 138 BPM | ||
| Turandot / Act 3: "Tu che di gel sei cinta! - extract | Giacomo Puccini, Montserrat Caballé, Luciano Pavarotti, Piero de Palma, Pier Francesco Poli, Tom Krause, Nicolai Ghiaurov, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | E♭ Minor | 1 | 2A | 79 BPM | ||
| Verdi: La traviata, Act 1: "Un dí felice, eterea" (Alfredo, Violetta) | Giuseppe Verdi, Francesco Albanese, Gabriele Santini, Orchestra Sinfonica della RAI | F Major | 2 | 7B | 93 BPM | ||
| Danny Boy (Old Irish Air) | Traditional, Rise Stevens | B♭ Major | 2 | 6B | 64 BPM | ||
| Gounod: Faust, Act 3: "Je voudrais bien savoir" - Chanson. "Il était un roi de Thulé" (Marguerite) | Charles Gounod, Michel Plasson, Cheryl Studer, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| La traviata: "Addio del passato" | Parma Brass Quintet | A Minor | 2 | 8A | 95 BPM | ||
| Mignon: Mignon! - Monsieur! | Ambroise Thomas, James Melton, Lucielle Browning, Rise Stevens, Wilfrid Pelletier | A Major | 4 | 11B | 92 BPM | ||
| Rossini: Petite messe solennelle: III. Credo, 2. Crucifixus (Soprano). Andantino sostenuto | Gioachino Rossini, Antonio Pappano | D Minor | 0 | 7A | 88 BPM | ||
| Il Trovatore: Timor di me? ... D'amor sull'ali rosee | Giuseppe Verdi, Liping Zhang/Giordano Bellincampi/City of Prague Philharmonic Orchestra, Giordano Bellincampi, The City of Prague Philharmonic Orchestra | F Minor | 0 | 4A | 83 BPM | ||
| Orfeo ed Euridice, Wq. 30: Act III: Recitativo: "Ah vieni, Euridice, dietro me" | Christoph Willibald Gluck, Pierre Monteux, Rome Opera Orchestra | A Major | 2 | 11B | 142 BPM | ||
| La traviata / Act 1: "Dell'invito trascorsa è già l'ora" | Giuseppe Verdi, Anna Netrebko, Helene Schneiderman, Herman Wallen, Salvatore Cordella, Rolando Villazón, Paul Gay, Wiener Philharmoniker, Carlo Rizzi, Vienna State Opera Chorus, Rupert Huber | A Major | 2 | 11B | 82 BPM | ||
| Carmen, WD 31 / Act 3: "Je dis que rien ne m'épouvante" | Georges Bizet, Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti | D♭ Minor | 7 | 12A | 102 BPM | ||
| The Snow Maiden / Prologue: "S podruzhami po yagoda khodit" (The Snow Maiden's Aria) | Nikolai Rimsky-Korsakov, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | E Major | 2 | 12B | 129 BPM | ||
| Il Trovatore / Act 2: "Stride la vampa!...Mesta è la tua canzon!" | Giuseppe Verdi, Marilyn Horne, Luciano Pavarotti, Peter Knapp, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | C Major | 1 | 8B | 83 BPM | ||
| Massenet: Werther, Act 3: "Toute mon âme est là !" - "Pourquoi me réveiller" (Werther, Charlotte) | Jules Massenet, Michel Plasson, Alfredo Kraus, Tatiana Troyanos, London Philharmonic Orchestra | G Major | 2 | 9B | 128 BPM | ||
| H.M.S. Pinafore / Act 1: Sorry her lot who loves too well | Arthur Sullivan, The D'Oyly Carte Opera Company, Jean Hindmarsh, The New Symphony Orchestra Of London, Isidore Godfrey | F Major | 1 | 7B | 91 BPM | ||
| Suor Angelica: O sorelle in pio lavoro | Giacomo Puccini, Isobel Buchanan, Dame Joan Sutherland, Elizabeth Connell, Miriam Bowen, National Philharmonic Orchestra, Richard Bonynge | D♭ Major | 1 | 3B | 91 BPM | ||
| Gounod: Faust, Act 3: Couplets. "Faites-lui mes aveux" (Siebel) | Charles Gounod, Michel Plasson, Martine Mahé, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Carmen: Votre toast, je peux vous le rendre ... Toréador, en garde! (Toreador Song) | Georges Bizet, Paolo Silveri, Lucine Amara, Margaret Roggero, Rise Stevens, Clifford Harvuot, Osie Hawkins, Fritz Reiner | F♯ Major | 3 | 2B | 132 BPM |