Ruth Gipps, Rumon Gamba, BBC National Orchestra Of Wales's 'Symphony No. 2 in One Movement, Op. 30: VI. Allegro moderato' had a release date set for September 1, 2018. The duration of This song is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Symphony No. 2 in One Movement, Op. 30: VI. Allegro moderato's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Ruth Gipps, Rumon Gamba, BBC National Orchestra Of Wales's "Gipps: Symphonies Nos. 2 & 4, Song for Orchestra & Knight in Armour" album is number 11 out of 14. On top of that, United Kingdom appears to be the country where this track was created. Symphony No. 2 in One Movement, Op. 30: VI. Allegro moderato is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 2 in One Movement, Op. 30: VI. Allegro moderato by Ruth Gipps, Rumon Gamba, BBC National Orchestra Of Wales to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pantomime: Vivace | Philip Lane, Royal Ballet Sinfonia, David Lloyd-Jones | G Minor | 2 | 6A | 113 BPM | ||
| Vaughan Williams: 3 Preludes Founded on Welsh Hymn Tunes: No. 2, Rhosymedre (Arr. Foster for String Orchestra) | Ralph Vaughan Williams, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 4 | 6B | 113 BPM | ||
| Symphony No. 5, Op. 64: IVd. Missa brevis. Hosanna in excelsis | Ruth Gipps, BBC Philharmonic, Rumon Gamba | F♯ Minor | 1 | 11A | 81 BPM | ||
| Color Field: I. Yellow | Anna Clyne, Baltimore Symphony Orchestra, Marin Alsop | G Major | 1 | 9B | 98 BPM | ||
| Sarabande et rigaudon, Op. 93: Sarabande | Camille Saint-Saëns, Orchestre National de Lille, Jun Markl | C Major | 0 | 8B | 71 BPM | ||
| Herzlich tut mich verlangen, BWV 727 (Arr. for Orchestra by Sir Andrew Davis) | Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic | E♭ Major | 0 | 5B | 73 BPM | ||
| Ancient Airs & Dances, Suite III, P. 172: I. Italiana (Anonymous) | Ottorino Respighi, Filarmonica della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
| Symphony No. 5, Op. 64: IVa. Missa brevis. Kyrie eleison | Ruth Gipps, BBC Philharmonic, Rumon Gamba | F♯ Minor | 1 | 11A | 81 BPM | ||
| Charterhouse Suite: Slow Air | Ralph Vaughan Williams, English Northern Philharmonia, David Lloyd-Jones | G Minor | 0 | 6A | 106 BPM | ||
| Daphnis et Chloe: Part I: Une lumiere irreelle enveloppe le paysage | Maurice Ravel, Bordeaux Opera Chorus, Bordeaux Aquitaine National Orchestra, Laurent Petitgirard | B♭ Minor | 4 | 3A | 82 BPM | ||
| Symphony No. 1 in F Minor, Op. 22: III. Allegro | Ruth Gipps, BBC Philharmonic, Rumon Gamba | F Minor | 0 | 4A | 47 BPM | ||
| D'un matin de printemps | Lili Boulanger, Yan Pascal Tortelier, BBC Philharmonic | C Major | 1 | 8B | 130 BPM | ||
| Lady in the Dark - Symphonic Nocturne (arr. R.R. Bennett): I. My Ship: Andante misterioso | Kurt Weill, Robert Russell Bennett, Bournemouth Symphony Orchestra, Marin Alsop | C Major | 0 | 8B | 73 BPM | ||
| English Pastoral Impressions: I. Spring Morning | John Farrar, Alasdair Mitchell, Philharmonic Orchestra, Howard Shelley | E♭ Major | 0 | 5B | 101 BPM | ||
| Danzas fantásticas, Op. 22: I. Exaltación | Joaquín Turina, Juanjo Mena, BBC Philharmonic | E Minor | 0 | 9A | 129 BPM | ||
| Petite suite I. En bateau - Andantino En bateau - Andantino I - En bateu (Andantino) | Orchestra Sinfonica Abruzzese, Umberto Clerici, Marzio Conti | G Major | 0 | 9B | 96 BPM | ||
| Fantasy Pieces, Op. 45: No. 4, Summer Song (Arr. for Orchestra) | Agathe Backer Grøndahl, Iceland Symphony Orchestra, Bjarte Engeset | G Major | 0 | 9B | 89 BPM | ||
| A Song before Sunrise | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | A♭ Major | 2 | 4B | 125 BPM | ||
| Symphony No. 2 in One Movement, Op. 30: V. Adagio | Ruth Gipps, Rumon Gamba, BBC National Orchestra Of Wales | B♭ Major | 0 | 6B | 115 BPM | ||
| Les biches Suite, FP 36b: IV. Andantino | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | C Major | 0 | 8B | 105 BPM | ||
| Cello Concerto in A Minor, Op. 129: IIa. Sehr langsam | Robert Schumann, Kian Soltani, Camerata Salzburg, Gregory Ahss | E Major | 0 | 12B | 113 BPM | ||
| Bethlehem Down (Arr. P. Lane) | Peter Warlock, Royal Ballet Sinfonia, Gavin Sutherland | C Minor | 1 | 5A | 67 BPM | ||
| Thaïs: Méditation (Arr. A. de la Vega for Flute & Piano) | Jules Massenet, Ana de la Vega, Paul Rivinius | D Major | 1 | 10B | 88 BPM | ||
| Suite from The Victorian Kitchen Garden: II. Spring | Paul Reade, Emma Johnson, Philip Ellis, BBC Concert Orchestra | B♭ Major | 0 | 6B | 75 BPM | ||
| Dolly Suite, Op. 56 (arr. H. Rabaud): III. Le Jardin de Dolly | Henri Rabaud, Gabriel Fauré, RTE Sinfonietta, John Georgiadis | E Major | 0 | 12B | 64 BPM |