Narendra Pyasi's ' "Ke Bhool Bhayo Priya" was released on its scheduled release date, January 1, 2001. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Krishna Hari Baral's "Ki ta Timi Maan Parchau" album is number 14 out of 14. In terms of popularity, Ke Bhool Bhayo Priya is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Ke Bhool Bhayo Priya by Narendra Pyasi to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Na Boleni Hasirakhana | Deepak Limbu | F Major | 5 | 7B | 156 BPM | ||
| Maya Ta Yesto Hos | Hemant Sharma | F♯ Major | 5 | 2B | 120 BPM | ||
| Charile Ta Chhadera | Alok Shree, Ram Krishna Dhakal | D♭ Major | 7 | 3B | 150 BPM | ||
| Timro Mero Bato | Narendra Pyasi | A♭ Minor | 7 | 1A | 140 BPM | ||
| Maya Meri Sanjha | Bhakta Raj Acharya | F Major | 5 | 7B | 73 BPM | ||
| Kalkatte Kainyo | Jayananda Lama, Balram Karki, Sarita Lama, Baba Basnet | F Major | 6 | 7B | 99 BPM | ||
| Chandra Kot Ki Nani | KANDARA | D Major | 8 | 10B | 80 BPM | ||
| Chiya Barima Ho | Deepa jha | G Minor | 3 | 6A | 86 BPM | ||
| Ye Jhari | Nabin K Bhattarai | F Major | 5 | 7B | 98 BPM | ||
| Gandakiko Tiraima | Nabin Gurung, Amrit Gurung-nepathya | D Major | 6 | 10B | 166 BPM | ||
| Aaja Hamro Bhet Bhako | Udit Narayan, Asha Bhosle | D Major | 7 | 10B | 140 BPM | ||
| Euta Sapana Chha - Male Version | Pushpan Pradhan | B♭ Major | 5 | 6B | 82 BPM | ||
| Meri Maya Phool Jasti | Sonam Gurung, Dev Tembe | A Minor | 6 | 8A | 125 BPM | ||
| Jhamke Guleli | Kamali Kanta Bhetuwal | D♭ Major | 3 | 3B | 135 BPM | ||
| Boli Chhaina | Amrit Gurung-nepathya | A Major | 4 | 11B | 134 BPM | ||
| Bishwasko Diyo | Kandara Band | A Major | 5 | 11B | 116 BPM | ||
| Maile Janisake | Anil Singh | D Major | 8 | 10B | 140 BPM | ||
| Oye Jhuma Jhumkawali | Pramod Kharel | F♯ Major | 8 | 2B | 108 BPM | ||
| Maile Chhoye Ko Pani Chaldaina | Yash Kumar | B Minor | 7 | 10A | 101 BPM | ||
| Chodi Gaya Paap Lagla | Ram Krishna Dhakal | B♭ Major | 8 | 6B | 156 BPM | ||
| Pallo Dandama | The Axe | G Major | 6 | 9B | 144 BPM | ||
| Yati Dherai Maya Diyau | Asha Bhosle, Prakash Shrestha | D♭ Major | 6 | 3B | 156 BPM | ||
| Dherai Maya | Arjun Nepali, Swaroop Raj Acharya | D♭ Major | 6 | 3B | 102 BPM | ||
| He Lajaune Mayalu | Rabin Shrestha | D♭ Major | 5 | 3B | 151 BPM | ||
| Mildaina Kathaharu | 1974 A.D | E Minor | 6 | 9A | 118 BPM |