"Resounding Earth: IV. Rêverie Carillon. Crystal Lattice" by Augusta Read Thomas, Third Coast Percussion had its release date on October 1, 2013. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 4 in the song's album "Resounding Earth". In this album, this song's track order is #4. Based on our statistics, Resounding Earth: IV. Rêverie Carillon. Crystal Lattice's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Resounding Earth: IV. Rêverie Carillon. Crystal Lattice by Augusta Read Thomas, Third Coast Percussion having a BPM of 146 with a half-time of 73 BPM and a double-time of 292 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sunrising | Anthony Romaniuk | E Minor | 0 | 9A | 95 BPM | ||
| Altar de Viento: I. Luz Eólica | Orquesta Sinfónica de Heredia, Eddie Mora, Alejandro Escuer | F♯ Major | 3 | 2B | 80 BPM | ||
| The Viola in My Life I | Morton Feldman, Antoine Tamestit, Gürzenich Orchester Köln, Harry Ogg | D♭ Major | 1 | 3B | 134 BPM | ||
| Piano & Violoncello 27 | Irena And Vojtech Havlovi | E♭ Major | 1 | 5B | 138 BPM | ||
| Lo, How a Rose | Jocelyn Hagen, Timothy C. Takach, VOCES8 Foundation Orchestra, Jack Liebeck, Barnaby Smith | B Minor | 1 | 10A | 85 BPM | ||
| Quatuor pour la fin du Temps: I. Liturgie de cristal | Olivier Messiaen, Louise Bessette, Cameron Crozman, Dominic Desautels, Mark Lee | E Minor | 0 | 9A | 95 BPM | ||
| Montage: II. Larghetto espressivo | James Lentini, Harvey Thurmer, Pansy Chang, Siok Lian Tan | D♭ Minor | 2 | 12A | 113 BPM | ||
| String Quartet in E-Flat Major (Version for String Orchestra): III. Romanza | Fanny Mendelssohn, Lina Tur Bonet, Orchestre De Chambre De Toulouse | A Minor | 3 | 8A | 82 BPM | ||
| Lost Highway (2002/03): Scene 1.1 | Olga Neuwirth, Constance Hauman, Johannes Kalitzke, Klangforum Wien, Vincent Crowly | D Major | 1 | 10B | 80 BPM | ||
| String Quartet No. 15 in E-Flat Minor, Op. 144: I. Elegy. Adagio | Dmitri Shostakovich, Cuarteto Casals | E Minor | 0 | 9A | 95 BPM | ||
| Freedom to Concieve .II. | of Catharsis | E Minor | 0 | 9A | 95 BPM | ||
| Debate entre la Sombra y la Hoguera | Adán Ramírez | B Major | 0 | 1B | 73 BPM | ||
| Plan & Elevation: IV. The Orangery | Caroline Shaw, Attacca Quartet | A Major | 1 | 11B | 117 BPM | ||
| Takemitsu: Romance | Toru Takemitsu, Kenji Miura | B♭ Major | 1 | 6B | 102 BPM | ||
| Troisième leçon de ténèbres à deux voix: Lamed (Arr. for Cello and Electric Guitar by Sonia Wieder-Atherton) | François Couperin, Sonia Wieder-Atherton, Marius Atherton | E Minor | 0 | 9A | 95 BPM | ||
| Light Pearls Through Prisms for solo piano | Augusta Read Thomas, Marianne Parker | E Minor | 0 | 9A | 95 BPM | ||
| Maré de Sizígia | Matheus Araujo, The Unpredictable | D Minor | 0 | 7A | 79 BPM | ||
| Ellis Island (Arr. for Organ by James McVinnie) | Meredith Monk, James McVinnie | A Minor | 0 | 8A | 79 BPM | ||
| Turangalîla-Symphonie: VII. Turangalîla 2 | Olivier Messiaen, Yuja Wang, Cécile Lartigau, Boston Symphony Orchestra, Andris Nelsons | D♭ Major | 5 | 3B | 87 BPM | ||
| Cello Counterpoint: 2. Slow | Steve Reich, Peter Gregson | E♭ Minor | 1 | 2A | 73 BPM | ||
| Hartke: Netsuke "6 Movements for Violin and Piano": No. 6, Jewel of Widsom with Mountain Pavilions | Stephen Hartke, Augustin Hadelich, Orion Weiss | D Major | 2 | 10B | 104 BPM | ||
| Beyond the Stars | Astrid Voix | E Minor | 0 | 9A | 95 BPM | ||
| Donnacha Dennehy: Land of Winter: IV. March | Donnacha Dennehy, Alarm Will Sound, Alan Pierson | D Minor | 4 | 7A | 97 BPM | ||
| Rothko Chapel 4 | Morton Feldman | A Minor | 0 | 8A | 82 BPM | ||
| Riessler: Family Affair | Michael Riessler, Sabine Meyer, Trio Di Clarone | C Major | 0 | 8B | 74 BPM |