Anita O'Day, Gene Krupa & His Orchestra, Roy Eldridge's ' "Thanks For The Boogie Ride" was released on its scheduled release date, May 30, 1999. The duration of This song is about 3 minutes long, at 3:07. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Anita O'Day's "Let Me Off Uptown: The Best Of Anita O'Day" album is number 5 out of 18. On top of that, United States appears to be the country where this track was created. Based on our statistics, Thanks For The Boogie Ride's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Thanks For The Boogie Ride by Anita O'Day, Gene Krupa & His Orchestra, Roy Eldridge to be Allegro (fast, quick, and bright) because the track has a tempo of 152 BPM, a half-time of 76BPM, and a double-time of 304 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Gal From Joe's | Charlie Barnet | E♭ Major | 6 | 5B | 92 BPM | ||
| Junior Hop | Johnny Hodges & His Orchestra | F Major | 2 | 7B | 138 BPM | ||
| Momma's In The Kitchen But We've Got "Pop" On Ice | Slim Gaillard | D Major | 6 | 10B | 166 BPM | ||
| Jumpin' on Sugar Hill | Helen Humes | C Major | 4 | 8B | 118 BPM | ||
| The Walkin' Blues | Fluffy Hunter | F Major | 6 | 7B | 164 BPM | ||
| Fish Market | Roy Eldridge | C Minor | 4 | 5A | 125 BPM | ||
| Alligator Meat | Johnny Otis Band, Joe Swift | E♭ Major | 2 | 5B | 123 BPM | ||
| Aggravatin' Papa | Bessie Smith | F Major | 2 | 7B | 106 BPM | ||
| Spanish Kick | Charlie Barnet | C Minor | 1 | 5A | 102 BPM | ||
| You're Driving Me Crazy | Big Joe Turner | A♭ Major | 5 | 4B | 159 BPM | ||
| My Daddy Rocks Me | Trixie Smith | C Minor | 1 | 5A | 102 BPM | ||
| Bizet Has His Day | Les Brown | C Minor | 4 | 5A | 148 BPM | ||
| None of My Jelly Roll | Sweet Emma Barrett | G Major | 3 | 9B | 138 BPM | ||
| South Rampart Street Parade | Bob Crosby & His Orchestra | E♭ Major | 7 | 5B | 113 BPM | ||
| Green Eyes | Jimmy Dorsey, Claire Hogan, Kenny Martin | G Major | 1 | 9B | 119 BPM | ||
| Rip Van Winkle | Lily Wilde and her Jumpin' Jubilee Orchestra | D♭ Major | 3 | 3B | 134 BPM | ||
| Bloodshot Eyes | Wynonie Harris | A♭ Major | 5 | 4B | 177 BPM | ||
| Chasing Shadows | Putney Dandridge | B♭ Major | 1 | 6B | 129 BPM | ||
| Positively Absolutely | The Six Jumping Jacks | G Major | 2 | 9B | 102 BPM | ||
| Flippity flop flop | Helen Humes | F Major | 2 | 7B | 130 BPM | ||
| Sugar Blues | Ella Fitzgerald and Her Famous Orchestra | D Minor | 2 | 7A | 99 BPM | ||
| Face It Here It Is | Al Grey | D♭ Major | 4 | 3B | 136 BPM | ||
| Bye Bye Blackbird | Etta Jones | C Minor | 3 | 5A | 126 BPM | ||
| St. Louis Blues | Benny Goodman | G Major | 2 | 9B | 153 BPM | ||
| See See Rider | Ernestine Anderson | F Major | 4 | 7B | 132 BPM |