L'Olimpiade, RV 725, Act I Scene 3: Aria. Il darsi delle spene (Aminta) by Antonio Vivaldi, Eleonora Bellocci, Innsbrucker Festwochenorchester, Alessandro De Marchi Song Details

"L'Olimpiade, RV 725, Act I Scene 3: Aria. Il darsi delle spene (Aminta)" by Antonio Vivaldi, Eleonora Bellocci, Innsbrucker Festwochenorchester, Alessandro De Marchi had its release date on January 22, 2026. This song is about six minutes long, preciously at 6:07, making this song fairly long compared to other songs. This song is part of Vivaldi: L'Olimpiade, RV 725 by Antonio Vivaldi, Raffaele Pe, Bejun Mehta, Margherita Maria Sala, Benedetta Mazzucato, Innsbrucker Festwochenorchester, Alessandro De Marchi, Eleonora Bellocci, Christian Senn, Luigi De Donato, Coro Maghini. The song's track number on the album is #10 out of 66 tracks. Based on our data, Germany was the country where this track was produced or recorded. L'Olimpiade, RV 725, Act I Scene 3: Aria. Il darsi delle spene (Aminta) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

Since L'Olimpiade, RV 725, Act I Scene 3: Aria. Il darsi delle spene (Aminta) by Antonio Vivaldi, Eleonora Bellocci, Innsbrucker Festwochenorchester, Alessandro De Marchi has a tempo of 76 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With L'Olimpiade, RV 725, Act I Scene 3: Aria. Il darsi delle spene (Aminta) being at 76 BPM, the half-time would be 38 BPM with a double-time of 152 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.

Music Key

A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 12%
Loudness: -18.735 dB
Acousticness: 88%
Danceability: 22%
Energy: 11%
Instrumentalness: 0%
Liveness: 9%
Loudness: 69%
Speechiness: 5%
Valence: 18%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Purcell: Dido and Aeneas, Z. 626, Act 3: Song and Chorus. "Come Away" (Sailor, Chorus)	Henry Purcell, Emmanuelle Haïm, Le Concert d'Astrée, European Voices, Paul Agnew	A Major	2	11B	182 BPM
Dido and Aeneas, Z. 626, Act III: No. 28, Prelude, Song & Chorus. Come Away, Fellow Sailors	Henry Purcell, Daniel Lochmann, The Academy Of Ancient Music Chorus, Academy of Ancient Music, Christopher Hogwood	A Major	1	11B	177 BPM
Rameau: Les Indes galantes, Quatrième entrée "Les sauvages": Air. "Régnez, plaisirs et jeux !" (Zima)	Jean-Philippe Rameau, Patricia Petibon, Les Folies Françoises, Patrick Cohën-Akenine	A Minor	0	8A	136 BPM
L'Orfeo / Act I: "Lasciate i monti" - "Ma tu, gentil cantor"	Claudio Monteverdi, Michael Chance, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir	D♭ Major	2	3B	101 BPM
Stradella: San Giovanni Battista, Pt. 2: "Queste lagrime e sospiri" (Erodiade la Figlia)	Alessandro Stradella, Marc Minkowski, Les Musiciens du Louvre, Catherine Bott	D♭ Major	1	3B	87 BPM
Missa Paschalis, ZWV7: Agnus Dei	Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity	D♭ Major	1	3B	79 BPM
Les Indes galantes, RCT 44, Prologue Scène 2: "Amants sûrs de plaire..." (Hébé)	Jean-Philippe Rameau, Claron McFadden, Les Arts Florissants, William Christie	F♯ Major	0	2B	95 BPM
Dido and Aeneas / Act 2: "Wayward sisters...But ere we this perform"	Henry Purcell, Patricia Kern, Helen Walker, Della Jones, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard	F Major	1	7B	162 BPM
Orlando Furioso, RV 728; Act II Scene 5: Aria. Piangerò sin che l’onda	Antonio Vivaldi, Paul-Antoine Bénos-Djian, Café Zimmermann, Pablo Valetti	A♭ Minor	2	1A	119 BPM
Membra Jesu Nostri, BuxWV 75, Ad faciem: Concerto "Illustra faciem tuam"	Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias Vieweg	C Minor	2	5A	90 BPM
The Indian Queen, Z. 630: "I attempt from love's sickness"	Henry Purcell, Alfred Deller, Roderick Skeaping, Wieland Kuijken, William Christie	D Major	1	10B	72 BPM
Leçons de ténèbres: IIa. Vau. Et egressus est a filia Sion	François Couperin, Jonathan Cohen, Anna Dennis, Arcangelo	C Major	1	8B	74 BPM
Missa Circumcisionis, ZWV 11: Sanctus – Pleni sunt caeli – Osanna I	Jan Dismas Zelenka, Collegium 1704, Collegium Vocale 1704, Václav Luks	A♭ Minor	2	1A	119 BPM
Emily — No Prisoner Be: No. 24, ‘Tis true - They shut me in the Cold	Kevin Puts, Time For Three, Joyce DiDonato	A♭ Minor	2	1A	119 BPM
Vivaldi: Magnificat in G Minor, RV 611: VIII. Esurientes (Ed. Malipiero)	Antonio Vivaldi, Riccardo Muti, Lucia Valentini Terrani, New Philharmonia Orchestra	D Minor	1	7A	146 BPM
Rameau: Dardanus, Act 4: Entrée des songes	Jean-Philippe Rameau, English Baroque Soloists, John Eliot Gardiner	F♯ Minor	0	11A	70 BPM
Die mit Tränen säen, JLB 8: V. Dringt, ihr Qualen, auf mich her	Johann Ludwig Bach, Flore Van Meerssche, Capella Sollertia, Johanna Soller	A♭ Minor	2	1A	119 BPM
Le Berger fidèle, RCT 24: Air plaintif: Faut-il qu’Amarillis périsse?	Jean-Philippe Rameau, Hannah De Priest, Les Délices, Debra Nagy	A♭ Minor	2	1A	119 BPM
Atys, LWV 53, Prologue: Récit. Retirez-vous, cessez de prévenir le temps	Jean-Baptiste Lully, Éléonore Pancrazi, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko	A♭ Minor	2	1A	119 BPM
Charpentier: Rentrez, trop indiscrets soupirs, H. 464	Marc-Antoine Charpentier, Les Arts Florissants, William Christie, Adèle Eikenes	A♭ Minor	0	1A	178 BPM
Messe de requiem: III. Graduel	André Campra, Philippe Herreweghe, La Chapelle Royale, Orchestre de La Chapelle Royale	A♭ Major	0	4B	142 BPM
Johannespassion, BWV 245: No. 30, Arie - Es ist vollbracht! (Alt)	Johann Sebastian Bach, Alex Potter	B♭ Minor	0	3A	108 BPM
Maddalena ai piedi di Cristo: No. 2 Aria Amor Terreno "Dormi, o cara, e formi il sonno"	Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Bernarda Fink	D♭ Major	1	3B	78 BPM
L'Olimpiade, RV 725, Act I Scene 4: Coro. O care selve (Chorus)	Antonio Vivaldi, Coro Maghini, Innsbrucker Festwochenorchester, Alessandro De Marchi	A♭ Minor	2	1A	119 BPM
Miserere: Miserere	Diogenio Bigaglia, Knabenchor Hannover, Jörg Breiding, La Festa Musicale	F♯ Major	1	2B	95 BPM