Hyperion Ensemble's ' "Canaro en Paris" was released on its scheduled release date, April 15, 2005. The duration of This song is about 3 minutes long, at 3:18. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 7 out of 13 in Corso Buenos Aires by Hyperion Ensemble. Based on our statistics, Canaro en Paris's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Canaro en Paris by Hyperion Ensemble is Allegro (fast, quick, and bright), since this song has a tempo of 121 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Adios Buenos Aires | Orquesta Tipica Victor | E Minor | 3 | 9A | 126 BPM | ||
| Ojos negros | Florindo Sassone Y Su Orquesta | E Minor | 4 | 9A | 119 BPM | ||
| Buscandote | Orquesta Typica Osvaldo Fresedo, Ricardo Ruiz | D Major | 1 | 10B | 122 BPM | ||
| Solamente Ella | Orquesta Típica Andariega | G Minor | 3 | 6A | 128 BPM | ||
| Tu pálida voz | Orquesta Color Tango De Roberto Alvarez | D Minor | 4 | 7A | 182 BPM | ||
| Sin sabor | Romántica Milonguera | C Major | 4 | 8B | 120 BPM | ||
| Yapeyú | Pablo Valle Sexteto | G Major | 4 | 9B | 132 BPM | ||
| Desde el Alma | Color Tango | B Minor | 2 | 10A | 85 BPM | ||
| La Cumparsita | Florindo Sassone Y Su Orquesta | G Minor | 2 | 6A | 113 BPM | ||
| Silbar de boyero | David Barberis, Orquesta Osvaldo Pugliese, Roberto Chanel | G Major | 1 | 9B | 120 BPM | ||
| Nada mas | Hyperion Ensemble, Marisol Martinez | A Minor | 6 | 8A | 151 BPM | ||
| Torrente | Lucio Demare, Horacio Quintana | F♯ Minor | 2 | 11A | 121 BPM | ||
| Luna de Plata | Orquesta Típica Sans Souci, César Peduzzi | G Major | 4 | 9B | 103 BPM | ||
| Amor Y Celos | Orquesta Tipica Victor | E Major | 4 | 12B | 204 BPM | ||
| Garufa | Trio Hugo Diaz | G Major | 4 | 9B | 124 BPM | ||
| Gira Gira | Orquesta Típica Andariega | E Minor | 4 | 9A | 106 BPM | ||
| Alma, corazon y vida | Hyperion Ensemble, Marisol Martinez, Lucas Boock | A Minor | 7 | 8A | 124 BPM | ||
| Dotarpeando | Pablo Valle Sexteto | A Minor | 4 | 8A | 95 BPM | ||
| Reliquias porteñas | Tango Spleen Orquesta | F♯ Minor | 6 | 11A | 105 BPM | ||
| Malena | Lucio Demare, Juan Carlos Miranda | D Major | 2 | 10B | 126 BPM | ||
| Pavadita | Sexteto Fantasma | C Major | 5 | 8B | 120 BPM | ||
| El Maraja | Domingo Federico | D♭ Minor | 2 | 12A | 126 BPM | ||
| Caseron De Tejas | Cuarteto Re!Tango | A Minor | 5 | 8A | 195 BPM | ||
| De Floreo | Color Tango | E Minor | 2 | 9A | 117 BPM | ||
| Francia | Francico Canaro | D Minor | 3 | 7A | 94 BPM |