"Reprise - Original Motion Picture Soundtrack "The Door In The Floor"" by Peter Vronsky had its release date on January 1, 2004. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 17 in the song's album "The Door In The Floor". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United States. Reprise - Original Motion Picture Soundtrack "The Door In The Floor" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Reprise - Original Motion Picture Soundtrack "The Door In The Floor" by Peter Vronsky having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| As It (Perhaps) Was | Dario Marianelli | D Major | 1 | 10B | 105 BPM | ||
| The Letter That Never Came | Thomas Newman | F Major | 1 | 7B | 141 BPM | ||
| White Peacock | Will Bates & Phil Mossman | E♭ Major | 1 | 5B | 141 BPM | ||
| Girl Butterfly Girl - song cycle for soprano & symphony orchestra, sung in Arabic, Op. 4: No. 4, Girl-Butterfly-Girl | Tsippi Fleischer, Unsi al-Hajj, Moravian Philharmonic Orchestra, Peter Vronsky, Yael Levita | E Minor | 4 | 9A | 84 BPM | ||
| Where We Met | Immediate | B♭ Major | 3 | 6B | 138 BPM | ||
| August Osage County (Complete) | Gustavo Santaolalla, Everton Nelson | F Minor | 2 | 4A | 111 BPM | ||
| Church Dream | Ryuichi Sakamoto, alva noto | E Minor | 3 | 9A | 87 BPM | ||
| Grandes Sueños | Fernando Velázquez | E♭ Major | 0 | 5B | 137 BPM | ||
| Voicemail From Emily | Michael Andrews | C Major | 1 | 8B | 123 BPM | ||
| Hand on Knee | Andrew Lockington | D Major | 2 | 10B | 121 BPM | ||
| This Is Goodbye for Us | Dan Romer | B♭ Major | 2 | 6B | 140 BPM | ||
| Into the Cave | Antonio Pinto | B Major | 1 | 1B | 80 BPM | ||
| The Confrontation | Dan Romer, Benh Zeitlin | G Minor | 2 | 6A | 66 BPM | ||
| Daniel and Ruth | Mark Isham | G Major | 1 | 9B | 120 BPM | ||
| Aningaaq | Steven Price | F Major | 0 | 7B | 59 BPM | ||
| The Secret In The Wall | Daniel Hart | C Major | 1 | 8B | 82 BPM | ||
| Soul Outside | Antonio Pinto | D♭ Minor | 2 | 12A | 87 BPM | ||
| Never Give Up | Geoff Zanelli | C Major | 1 | 8B | 112 BPM | ||
| Collateral Beauty | Theodore Shapiro | D Major | 0 | 10B | 64 BPM | ||
| She's Real | Nick Urata | F♯ Major | 2 | 2B | 134 BPM | ||
| Verdict | Nico Muhly | A♭ Major | 1 | 4B | 70 BPM | ||
| end credit suite | David Torn | D Major | 2 | 10B | 104 BPM | ||
| Town Of Austere ("Fireflies In The Garden") | Alexander Malter, Vincent Trio, Dresdner Sinfoniker, Jonathan Stockhammer | A Minor | 1 | 8A | 120 BPM | ||
| The Gathering | Michael Giacchino | D♭ Major | 1 | 3B | 87 BPM | ||
| Manhatta | The Cinematic Orchestra | G Minor | 2 | 6A | 90 BPM |