Mario García, Big Band Jazz de México's ' "Adiós "Tonton Macute"" was released on its scheduled release date, 1999. This song is about six minutes long, preciously at 5:31, making this song fairly long compared to other songs. The track order of this song in Mario García's "Mario García & Friends, Vol. 2" album is number 1 out of 11. On top of that, Spain appears to be the country where this track was created. The popularity of Adiós "Tonton Macute" is currently unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Adiós "Tonton Macute" by Mario García, Big Band Jazz de México to be Vivace (lively and fast) because the track has a tempo of 174 BPM, a half-time of 87BPM, and a double-time of 348 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| You Stepped Out,When Sony Gets Blue,Taking a Chance | Mario García | D♭ Major | 5 | 3B | 136 BPM | ||
| Somewhere My Love | one sound | G Minor | 6 | 6A | 140 BPM | ||
| Some Day My Price Will Came | Joao Enrique, Dorio Ferreira, Mario García | A Minor | 3 | 8A | 125 BPM | ||
| Morning Straight | Jazzton | E♭ Major | 0 | 5B | 102 BPM | ||
| Smooth Dusk | The Velvet Brewers | D♭ Major | 5 | 3B | 136 BPM | ||
| Hotel 17 | The Dam Jawn, Jeremy Pelt | F Minor | 6 | 4A | 120 BPM | ||
| Midnight Pavement | renny 3l fantasma | C Minor | 4 | 5A | 202 BPM | ||
| Mets "Si" ça va l'faire | Denis Burell Trio | F Minor | 3 | 4A | 128 BPM | ||
| Sorry | Bill Anschell | C Minor | 1 | 5A | 124 BPM | ||
| Where Have You Been | Goblin Quartet | G Minor | 1 | 6A | 112 BPM | ||
| The Nearness of You (Trio) | Merv De Peyer | D♭ Major | 2 | 3B | 116 BPM | ||
| Sidewalk Waltz | Coffee Serenade | D Minor | 2 | 7A | 130 BPM | ||
| Soft Drink | Sax Lounge | D♭ Major | 3 | 3B | 93 BPM | ||
| W 48th street | Biréli Lagrène, Raphael Pannier, Jean-Yves Jung, William Brunard | D♭ Major | 5 | 3B | 136 BPM | ||
| Don Julian | Mario García, Big Band Jazz de México | D♭ Major | 7 | 3B | 110 BPM | ||
| This Way | Nadia de Santiago, Sholo Truth, Mario García, La breve historia | A Major | 1 | 11B | 58 BPM | ||
| Nocturnal sun | Nils Janson | E♭ Minor | 1 | 2A | 79 BPM | ||
| Lunch at Row on 5 | Yurik Lee | B♭ Major | 3 | 6B | 170 BPM | ||
| 100to 41 | Aplli2 | D♭ Major | 5 | 3B | 136 BPM | ||
| Human Impact | Human Being Human, Chris Cheek | D♭ Major | 5 | 3B | 136 BPM | ||
| Long Time | Ewan Svensson | F♯ Minor | 5 | 11A | 176 BPM | ||
| Tropical Midnight Jazz | Jazzyfi | F Minor | 4 | 4A | 143 BPM | ||
| Fried Everything | Jim Pearce | B♭ Minor | 6 | 3A | 100 BPM | ||
| Granary Warehouse | Mono Noir Jazz | G Minor | 5 | 6A | 98 BPM | ||
| Metamorph - Live | Paso Arriba | E Major | 7 | 12B | 145 BPM |