"Finale and End Credits (Theme From "Return To Oz")" by David Shire had its release date on June 21, 1985. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 45 in the song's album "Return to Oz (Original Motion Picture Soundtrack)". In this album, this song's track order is #20. Furthermore, we believe that the track originated from United States. In terms of popularity, Finale and End Credits (Theme From "Return To Oz") is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Finale and End Credits (Theme From "Return To Oz") by David Shire having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Le samouraï - Bande originale du film "Le samouraï" | François de Roubaix | A Minor | 3 | 8A | 168 BPM | ||
| The Conversation (Main Theme from "The Conversation") | David Shire | D Minor | 1 | 7A | 73 BPM | ||
| Lawrence Of Arabia: Theme | London Festival Orchestra, Stanley Black | A Major | 3 | 11B | 168 BPM | ||
| Cocomotion - Single Version | El Coco | B Minor | 5 | 10A | 129 BPM | ||
| Miles and Maya | Rolfe Kent | G Minor | 0 | 6A | 65 BPM | ||
| Cannonball Run Theme | Chuck Mangione | B♭ Major | 5 | 6B | 168 BPM | ||
| Amarcord - Remastered 2021 | Nino Rota | G Minor | 0 | 6A | 75 BPM | ||
| Getaway | The Salsoul Orchestra | F Minor | 9 | 4A | 109 BPM | ||
| Romance III | Marisa Kirby, Jewell Noel, Jorge Donoso, Richard Maltby Jr., David Shire | C Major | 4 | 8B | 88 BPM | ||
| Open Sesame (Groove With The Genie) - Pt.1 | Kool & The Gang | B Minor | 8 | 10A | 120 BPM | ||
| Italy | Dudley Moore Trio | A♭ Major | 2 | 4B | 182 BPM | ||
| Driving | Hans Zimmer | C Major | 1 | 8B | 135 BPM | ||
| Leopard Tree Dream | Giorgio Moroder | F Major | 3 | 7B | 135 BPM | ||
| Hill Street Blues - From "Hill Street Blues" | Daniel Caine Orchestra | E♭ Major | 4 | 5B | 98 BPM | ||
| Canadian Sunset - Single Version | Eddie Heywood | D Minor | 3 | 7A | 118 BPM | ||
| A Place In The Sun - Suite | Franz Waxman, Charles Gerhardt, National Philharmonic Orchestra | B♭ Minor | 2 | 3A | 176 BPM | ||
| Meet Mark | Marvin Hamlisch | B♭ Major | 0 | 6B | 58 BPM | ||
| Country Wide | Anthony Mawer | C Major | 2 | 8B | 92 BPM | ||
| High Heels | Trevor Duncan, Slovak Radio Symphony Orchestra, Andrew Penny | F Minor | 2 | 4A | 159 BPM | ||
| Theme from Taxi Driver - Reprise | Bernard Herrmann, Dave Blume | D Minor | 5 | 7A | 158 BPM | ||
| Asteroid (Pearl & Dean Theme) - Full Length | Pearl & Dean | A♭ Major | 8 | 4B | 104 BPM | ||
| The Odd Couple | Billy May & His Orchestra | E Major | 3 | 12B | 109 BPM | ||
| I Need a Man (de "Bilitis") | Francis Lai | G Major | 5 | 9B | 94 BPM | ||
| The Ladies Singing Their Song | Liz Flemming, Marisa Kirby, Jewell Noel, Christina Sajous, Richard Maltby Jr., David Shire | D Minor | 4 | 7A | 111 BPM | ||
| Space Station Docking - From "2001: A Space Odyssey" | Alex North | A Minor | 2 | 8A | 102 BPM |