Martin Kohlstedt's 'VET' had a release date set for November 14, 2014. This song is about six minutes long, preciously at 5:49, making this song fairly long compared to other songs. There are a total of 9 in the song's album "Nacht". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. Based on our statistics, VET's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With VET by Martin Kohlstedt having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gypsy Moth | Andrew Bird | D Minor | 3 | 7A | 134 BPM | ||
| Bon Matin | Matteo | C Major | 9 | 8B | 133 BPM | ||
| Maya's Valse | theAngelcy | A Major | 1 | 11B | 82 BPM | ||
| il | Jean-Michel Blais | E Major | 4 | 12B | 104 BPM | ||
| La dispute | Jeroen van Veen | C Minor | 0 | 5A | 81 BPM | ||
| Happy Feet | Ganzo | E Minor | 6 | 9A | 168 BPM | ||
| Opening | Superpoze | D Minor | 6 | 7A | 127 BPM | ||
| Eyes Closed And Traveling | Peter Broderick | F♯ Major | 1 | 2B | 84 BPM | ||
| Sheremetiev | Thylacine, Alexander Sheremetiev | D Major | 2 | 10B | 100 BPM | ||
| Muse | Nicolas Jaar | E♭ Minor | 0 | 2A | 86 BPM | ||
| Arabesque | Dom La Nena | A Minor | 3 | 8A | 110 BPM | ||
| Suite from "The Hours" - Movement III | Maki Namekawa, Cello Octet Amsterdam | G Minor | 1 | 6A | 135 BPM | ||
| For Seoul Pt I | Gidge | F♯ Minor | 5 | 11A | 118 BPM | ||
| Conte d'été | Renart | C Minor | 3 | 5A | 125 BPM | ||
| Because This Must Be | Nils Frahm | C Minor | 1 | 5A | 133 BPM | ||
| Les sablons | Oskar Schuster | G Major | 1 | 9B | 110 BPM | ||
| The Tonality | Wim Mertens | G Minor | 3 | 6A | 165 BPM | ||
| Zavodovski Island | Portico Quartet | C Minor | 5 | 5A | 116 BPM | ||
| Nachts In Paris | Duo Stiehler/Lucaciu | F Minor | 2 | 4A | 105 BPM | ||
| NAO | Martin Kohlstedt | F Minor | 0 | 4A | 142 BPM | ||
| NIODOM | Martin Kohlstedt, GewandhausChor | D Minor | 1 | 7A | 129 BPM | ||
| Playing at the End of the Universe - Orchestre univers Version | Labelle | F Minor | 3 | 4A | 101 BPM | ||
| Lucca Est | Matthias Bartolomey, Klemens Bittmann, BartolomeyBittmann | F Minor | 2 | 4A | 111 BPM | ||
| My Hand in your Hand | Octave Noire | G Minor | 4 | 6A | 88 BPM | ||
| November Morning - Brandenburgisches Staatsorchester Version | Stimming | G Minor | 1 | 6A | 114 BPM |