"Shing Kee 1986" by Carl Stone had its release date on 1992. This song appears to be safe for all ages as it is not explicit. The track order of this song in Carl Stone's "Mom's" album is number 4 out of 5. Shing Kee 1986 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Shing Kee 1986 by Carl Stone to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Driving Towards the Deaths Mycelium | Sofie Birch | C Major | 1 | 8B | 100 BPM | ||
| Feedback Zwei | Keith Fullerton Whitman | D Major | 0 | 10B | 0 BPM | ||
| Kustaa | Carl Stone | E Major | 8 | 12B | 120 BPM | ||
| Yaumatei | Alex Zhang Hungtai | F Minor | 2 | 4A | 109 BPM | ||
| Plays John Cassavetes 2 | Ekkehard Ehlers | G Major | 5 | 9B | 69 BPM | ||
| discrete (the market) | claire rousay | A Major | 0 | 11B | 154 BPM | ||
| limoktwok | ROADKILL | F Minor | 3 | 4A | 140 BPM | ||
| Do While | Oval | D Minor | 3 | 7A | 78 BPM | ||
| YUN / 暈 | LI YILEI | G Major | 3 | 9B | 160 BPM | ||
| Touch me & die | Kara-Lis Coverdale | F♯ Major | 2 | 2B | 180 BPM | ||
| Melancholia I | William Basinski | E Major | 1 | 12B | 80 BPM | ||
| Both Blue Moons | Aaron Dilloway, Lucrecia Dalt | D♭ Major | 6 | 3B | 94 BPM | ||
| After School | Ernest Hood | D Minor | 6 | 7A | 103 BPM | ||
| Mukashi | SUGAI KEN | E♭ Minor | 3 | 2A | 111 BPM | ||
| Commerce Server | Oval | G Minor | 5 | 6A | 85 BPM | ||
| Miami | Cate Le Bon, Group Listening | G Major | 2 | 9B | 59 BPM | ||
| The Secret Place | Ernest Hood | C Major | 7 | 8B | 79 BPM | ||
| Citadel Bod Doodt | clipping., Carl Stone | B♭ Minor | 10 | 3A | 133 BPM | ||
| Pomisea | LA Timpa | C Major | 5 | 8B | 100 BPM | ||
| The King of Naples | Tomaga | B♭ Minor | 7 | 3A | 139 BPM | ||
| Creek | Hiroshi Yoshimura | G Major | 4 | 9B | 95 BPM | ||
| The Running Water | Cybe | C Major | 3 | 8B | 128 BPM | ||
| Ahh! | Liebe: Young | A Major | 9 | 11B | 149 BPM | ||
| The Giant | Bill Nace | D♭ Major | 2 | 3B | 139 BPM | ||
| We Could Hear Them Singing from Across the Valley | Dylan Henner | D Major | 1 | 10B | 131 BPM |