On November 13, 2015, the song "Let's Straighten It Out" was released by Nigel Hall. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Nigel Hall's "Ladies & Gentlemen... Nigel Hall" album is number 7 out of 10. Let's Straighten It Out is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Let's Straighten It Out by Nigel Hall to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Am I Your Woman? featuring Ria Currie | Speedometer, Ria Currie | E Minor | 9 | 9A | 103 BPM | ||
| Sound The Alarm | Booker T., Mayer Hawthorne | F Minor | 7 | 4A | 95 BPM | ||
| Come Out At Night | Lucas de Mulder, The New Mastersounds | B♭ Minor | 6 | 3A | 153 BPM | ||
| She's Gone | Zbonics, Gregory Porter | B Minor | 6 | 10A | 160 BPM | ||
| Change My Ways (Part 2) | Galactic | G Major | 7 | 9B | 87 BPM | ||
| Make It After All | Dumpstaphunk | G Major | 9 | 9B | 118 BPM | ||
| Bump-De-Bump | Redtenbacher's Funkestra, Dave Limina, Tucker Antell | B Minor | 6 | 10A | 90 BPM | ||
| Trouble | The New Mastersounds, Lamar Williams Jr., Eddie Roberts, Joe Tatton, Jeff Franca, John Macy, Pete Shand | C Minor | 5 | 5A | 84 BPM | ||
| Give It Time | Eric Lindell | G Major | 8 | 9B | 81 BPM | ||
| Be Thankful for What You Got | Taylor Scott Band | B Minor | 7 | 10A | 106 BPM | ||
| Sugadoo | Mingo Fishtrap | C Major | 8 | 8B | 100 BPM | ||
| Extraordinary High | The Motet | G Major | 7 | 9B | 116 BPM | ||
| Curse of the Haggis | The Haggis Horns | C Major | 9 | 8B | 170 BPM | ||
| No second guessing | Big Deacon | C Minor | 7 | 5A | 176 BPM | ||
| What Kind Of Cool (Will We Think of Next) | Cody Chesnutt | F♯ Major | 6 | 2B | 97 BPM | ||
| Trouble Woman | Dr Rubberfunk, Roachford | B♭ Minor | 9 | 3A | 83 BPM | ||
| Inked - Alhambra Studios Live Session | Lehmanns Brothers | B♭ Minor | 8 | 3A | 111 BPM | ||
| A Little Blahzay | Dr Rubberfunk, Izo FitzRoy | D Major | 6 | 10B | 89 BPM | ||
| Slow It Down | The Suffers | B♭ Major | 7 | 6B | 152 BPM | ||
| All That I'm Asking | Seth Walker | A♭ Major | 7 | 4B | 106 BPM | ||
| Love on Tap (feat. Kylie Auldist) | Deep Street Soul, Kylie Auldist | E Major | 7 | 12B | 92 BPM | ||
| Going On | Johnny Sketch & The Dirty Notes | C Minor | 7 | 5A | 98 BPM | ||
| A Message from the Meters | The Sure Fire Soul Ensemble, Kelly Finnigan | A Major | 10 | 11B | 158 BPM | ||
| Pain & Bliss | The Brooks | B♭ Minor | 5 | 3A | 181 BPM | ||
| ROOF GARDEN CHA-CHA | YADAH MEDIA GROUP | B♭ Minor | 5 | 3A | 83 BPM |