Shane Mauss's ' "Gulp" was released on its scheduled release date, May 22, 2015. At 8 minutes and 12 seconds, this song is fairly long compared to the average song length. On top of that, this track is considered explicit and may be disturbing to some, including children. The track order of this song in Shane Mauss's "My Big Break" album is number 9 out of 13. In terms of popularity, Gulp is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Gulp by Shane Mauss to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| When Is Someone Gonna Sue Jay-Z? | Artie Lange | F♯ Minor | 9 | 11A | 76 BPM | ||
| Winners Have Open Bars | Shane Torres | E♭ Minor | 7 | 2A | 86 BPM | ||
| The Plane is Half Full | Steve Hofstetter | B♭ Minor | 5 | 3A | 87 BPM | ||
| Hester Prynne | Jackie Kashian | D♭ Major | 7 | 3B | 77 BPM | ||
| Popsicles | Josh Blue | E Major | 10 | 12B | 171 BPM | ||
| Soft Fears | Rachel Feinstein | D♭ Major | 9 | 3B | 92 BPM | ||
| Written in Gravy | Louie Anderson | D♭ Minor | 9 | 12A | 113 BPM | ||
| Where Do Our Preferences Come From? | Shane Mauss | C Major | 6 | 8B | 128 BPM | ||
| Velcro Bra | Andrew Norelli | F Minor | 9 | 4A | 91 BPM | ||
| Charlotte | Eddie Pepitone | F Major | 7 | 7B | 93 BPM | ||
| Roadhouse | Matt Braunger | D Minor | 7 | 7A | 83 BPM | ||
| The Fistful | Chad Daniels | D♭ Major | 8 | 3B | 83 BPM | ||
| The Rulebook | Chad Daniels | C Major | 6 | 8B | 142 BPM | ||
| Coloured Houses | Casey Corbin | F♯ Major | 6 | 2B | 59 BPM | ||
| Standards | Bret Ernst | B Major | 5 | 1B | 68 BPM | ||
| Drinking | Shane Mauss | A♭ Major | 8 | 4B | 74 BPM | ||
| Fresh Wound, Pt. 1 | Big Jay Oakerson | D♭ Minor | 8 | 12A | 77 BPM | ||
| The Green Mafia | Matt Braunger | G Major | 5 | 9B | 114 BPM | ||
| Denturist | Casey Corbin | C Minor | 3 | 5A | 87 BPM | ||
| No You Can't Meet My Mom | Big Jay Oakerson | E Minor | 7 | 9A | 87 BPM | ||
| Red Rover | Josh Blue | A Major | 8 | 11B | 51 BPM | ||
| Riff Suite No. 2: On Statements! of Theses! / Of Forms, and the Filling out of Them! / Of the Smarts of the Street, and the Return of the Relaxed Work Environment! | Paul F. Tompkins | C Major | 7 | 8B | 79 BPM | ||
| A Heavy Mexican Lunch with Ice Cream for Dessert. | Kurt Metzger | F Major | 3 | 7B | 80 BPM | ||
| Ryan from Stupid Idaho | Chris Distefano | D Major | 5 | 10B | 67 BPM | ||
| This Asshole Walks In | Shane Torres | B♭ Major | 3 | 6B | 67 BPM |