It Shall Come to Pass (Live) [feat. Tiffani Willis]
Jonathan Willis, Unity, Tiffani Willis
The Zion City Experience
6:06 March 24, 2015
BPM
166
Key
D♭ Major
Camelot
3B

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It Shall Come to Pass (Live) [feat. Tiffani Willis] by Jonathan Willis, Unity, Tiffani Willis Song Details

Jonathan Willis, Unity, Tiffani Willis's ' "It Shall Come to Pass (Live) [feat. Tiffani Willis]" was released on its scheduled release date, March 24, 2015. This song is about six minutes long, preciously at 6:06, making this song fairly long compared to other songs. There are a total of 15 in the song's album "The Zion City Experience". In this album, this song's track order is #6. The popularity of It Shall Come to Pass (Live) [feat. Tiffani Willis] is currently unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

BPM and Tempo

With It Shall Come to Pass (Live) [feat. Tiffani Willis] by Jonathan Willis, Unity, Tiffani Willis having a BPM of 166 with a half-time of 83 BPM and a double-time of 332 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.

Music Key

This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-4.568 dB
Acousticness
54%
Danceability
33%
Energy
81%
Instrumentalness
0%
Liveness
90%
Loudness
92%
Speechiness
23%
Valence
50%

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ISRC
QMAAK1530607
Label
L-M Records/RCA Records