"Songs in Time of War: Thoughts while Travelling at Night" by Alec Roth, Vikram Seth, Mark Padmore, Philippe Honoré, Alison Nicholls, Morgan Szymanski had its release date on June 30, 2008. With This song being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 18 in the song's album "Songs in Time of War". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Songs in Time of War: Thoughts while Travelling at Night is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Songs in Time of War: Thoughts while Travelling at Night by Alec Roth, Vikram Seth, Mark Padmore, Philippe Honoré, Alison Nicholls, Morgan Szymanski having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 6 Sprüche, Op. 79 (Ed. J. Jordan): No. 2, Am Neujahrstage | Felix Mendelssohn, Westminster Williamson Voices, James Jordan | D Minor | 1 | 7A | 83 BPM | ||
| Audivi vocem de caelo | John Taverner, Alamire, David Skinner | D♭ Major | 2 | 3B | 136 BPM | ||
| Missa Corpis Domini, ZWV 3: Et incarnatus est | Jan Dismas Zelenka, Collegium 1704, Collegium Vocale 1704, Václav Luks | D♭ Minor | 0 | 12A | 89 BPM | ||
| Vespers (All-Night Vigil), Op. 37: X. Having Seen the Resurrection of the Lord | Sergei Rachmaninoff, Robert Shaw, Robert Shaw Festival Singers | C Major | 3 | 8B | 78 BPM | ||
| Lagrime di San Pietro: No. 21, Vide homo, LV 1025 | Orlande de Lassus, Doulce Mémoire, Denis Raisin-Dadre | D♭ Minor | 0 | 12A | 89 BPM | ||
| A solis ortus cardine | Voci di Sorelle | E♭ Major | 1 | 5B | 87 BPM | ||
| Missa Sanctae Crucis, MH 56: Agnus Dei | Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | A♭ Minor | 2 | 1A | 78 BPM | ||
| Alkukuoro, Vuorten Ylle Aurinko on Noussut (Suuri Kalansaalis) | Oulun kamariorkesteri, Cantio Laudis -kuoro | C Minor | 1 | 5A | 76 BPM | ||
| 3 Motets, Op. 69: No. 1, Herr, nun lässest du deinen Diener in Frieden fahren fahren | Felix Mendelssohn, MDR Leipzig Radio Choir, Philipp Ahmann | E♭ Major | 1 | 5B | 174 BPM | ||
| Missa quinis vocibus: Gloria | Kryštof Harant, Cappella Mariana, Vojtěch Semerád | A♭ Minor | 1 | 1A | 125 BPM | ||
| Pow’rful Morpheus, let thy charms | William Webb, Zefiro Torna, Lore Binon, Jurgen De bruyn | D♭ Major | 0 | 3B | 81 BPM | ||
| Unto Thee Lift I Up Mine Eyes (Psalm 123) | William Crotch, James Anderson-Besant, Choir of St. John's College, Cambridge, Andrew Nethsingha | G Major | 1 | 9B | 65 BPM | ||
| Father All-Holy | Basilica of the National Shrine of the Immaculate Conception Choir | A♭ Major | 2 | 4B | 88 BPM | ||
| Holst: 6 Choruses, Op. 53: No. 6, Before Sleep | Gustav Holst, Baccholian Singers of London, English Chamber Orchestra | C Major | 1 | 8B | 111 BPM | ||
| A Child of our Time, Part I: The world turns on its dark side (Chorus) | Michael Tippett, BBC Symphony Chorus, BBC Symphony Orchestra, Andrew Davis | E Minor | 0 | 9A | 64 BPM | ||
| Quomodo cantabimus | Francisco Guerrero, A5 Vocal Ensemble | G Minor | 1 | 6A | 77 BPM | ||
| Missa super Susanne un jour à 5: I. Kyrie | Orlande de Lassus, Chœur De Chambre De Namur, Leonardo García-Alarcón, Lieselot De Wilde, Amélie Renglet, Valerio Contaldo | B♭ Major | 1 | 6B | 134 BPM | ||
| Kornets sang | Flemming Weis, Musica Ficta, Bo Holten | D Major | 1 | 10B | 90 BPM | ||
| The Garden Path: No. 1, Moonlit Path | Alec Roth, Martha McLorinan, Sacconi Quartet | D♭ Minor | 0 | 12A | 89 BPM | ||
| 2 Sacred Songs: No. 1, Alleluia | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | D Major | 0 | 10B | 84 BPM | ||
| The Armed Man (Ensemble Version): III. Kyrie | Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera, Kathryn Rudge | G Major | 2 | 9B | 127 BPM | ||
| 3 Shakespeare Choruses, Op. 39: No. 2, Come unto these yellow sands | Amy Beach, Jessica Petrus, Amanda Sidebottom, Derek Greten-Harrison, Heather Petrie, Etherea Vocal Ensemble | B♭ Major | 1 | 6B | 77 BPM | ||
| Liturgical Chants: O Holy God | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | D♭ Major | 0 | 3B | 179 BPM | ||
| Lassus : "Ove d'altra montagna ombra non tocchi" | Orlande de Lassus, Wolfgang Helbich & Alsfeld Vocal Ensemble, Wolfgang Helbich | E♭ Major | 0 | 5B | 86 BPM | ||
| The Darkness Is No Darkness | Judith Bingham, Hannah Holgersson, Sofia Vokalensemble, Bengt Ollen | F Major | 1 | 7B | 85 BPM |