I've Been Loving You Too Long
Joanne Shaw Taylor
Reckless Heart
6:37 March 15, 2019
BPM
132
Key
E♭ Minor
Camelot
2A

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I've Been Loving You Too Long by Joanne Shaw Taylor Song Details

Joanne Shaw Taylor's 'I've Been Loving You Too Long' had a release date set for March 15, 2019. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 11 in the song's album "Reckless Heart". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, I've Been Loving You Too Long's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

BPM and Tempo

With I've Been Loving You Too Long by Joanne Shaw Taylor having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.

Music Key

This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-6.043 dB
Acousticness
7%
Danceability
42%
Energy
66%
Instrumentalness
18%
Liveness
12%
Loudness
90%
Speechiness
3%
Valence
35%

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ISRC
GBARL1801453
Label
L-M Records/RCA Records