On September 19, 1997, the song "Bai Mazya Ga" was released by Surykant Shinde. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Surykant Shinde, Vaishali Samant's "Mathala Gela Tada" album is number 4 out of 10. On top of that, India appears to be the country where this track was created. In terms of popularity, Bai Mazya Ga is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Bai Mazya Ga by Surykant Shinde to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nath Yedamaichi | Chandan Kamble | B♭ Major | 9 | 6B | 200 BPM | ||
| Dada Guru Macchindranath | Akash Shinde | F♯ Minor | 10 | 11A | 140 BPM | ||
| Samacharan Tujhe Dekhile Maya | Upendra Bhat | D♭ Minor | 9 | 12A | 105 BPM | ||
| Yashodeche Kamal Phool | Nanda Bhamre | F♯ Minor | 5 | 11A | 152 BPM | ||
| Aamhi Haav Jaatiche Koli | Shahir Pandurang Vanmali | B♭ Minor | 5 | 3A | 71 BPM | ||
| Saibaba Majhya Shirdichya | Sachidanand Aappa | F♯ Major | 6 | 2B | 104 BPM | ||
| Sukhi Thev Kalu Mazha Dhani | Sakharabai Tekale | B Major | 8 | 1B | 129 BPM | ||
| I Am Happy Dilli Tu Pappi | Prakash Pajane | A♭ Major | 10 | 4B | 96 BPM | ||
| Bheembanch Naav | Anand Shinde | A♭ Major | 6 | 4B | 181 BPM | ||
| Gondhal | Nandesh Umap, Swapnil Bandodkar | E♭ Minor | 7 | 2A | 113 BPM | ||
| Man Lago Re Lago Guru Bhajani | Swapnil Bandolkar | E♭ Minor | 7 | 2A | 93 BPM | ||
| Hi Bhook Kashi Re | Yuvraj Pradhan | B♭ Minor | 5 | 3A | 82 BPM | ||
| Kare Bhagat Teri Arti | Rakesh Tiwari | B♭ Minor | 5 | 3A | 73 BPM | ||
| Gouri Ganpatiche Sanala | Shahir Damodar Vitavkar | F Major | 4 | 7B | 74 BPM | ||
| Dhak Dhak Manat Zalaya Suru | Uttara Kelkar, Sudesh Bhosle | D Minor | 7 | 7A | 113 BPM | ||
| San Shimgyacha Ala Ho | Ramesh Nakhwa, Pushpa Pagdhare | D♭ Major | 6 | 3B | 100 BPM | ||
| Vanke Ambode Shreenathji | Utpal Jivrajani, Nidhi Dholakia | E♭ Major | 4 | 5B | 163 BPM | ||
| Hans Ha Kunacha | Milind Shinde | A Major | 4 | 11B | 83 BPM | ||
| Amba Yedu Doghi Bahini | Santosh Dede | A♭ Minor | 5 | 1A | 135 BPM | ||
| Palkhi Nighali Ti Payi Payi | Sacchidanand Appa | F Minor | 7 | 4A | 143 BPM | ||
| Nako Maru Re Kanha Pichkari | Vaishali Samant | A♭ Minor | 9 | 1A | 111 BPM | ||
| Jaise Jyache Karma | Pralahad Shinde | D♭ Minor | 5 | 12A | 166 BPM | ||
| Motyacha Bashing Bandha Navrila | Roshan Satarkar | D Major | 4 | 10B | 76 BPM | ||
| Sutbutat Bhimrao Majha | Prithviraj Sukumaran | D Major | 9 | 10B | 150 BPM | ||
| Mazya Saichi Ajab Kahani | Omkar Mahadik | B♭ Minor | 8 | 3A | 125 BPM |