"Istikhbar Mezmoum , Introduction à Mon cœur s'ouvre à ta voix, pour violon et violoncelle: Improvisation" by Camille Saint-Saëns, Fettouma Ziouani, Rachid Brahim-Djelloul, Orchestre Divertimento, Zahia Ziouani had its release date on May 19, 2023. With This song being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 8 out of 19 in Bacchanale: Saint-Saëns et la Méditerranée by Orchestre Divertimento, Zahia Ziouani, Ensemble Amedyez, Fettouma Ziouani, Patrick Messina, Silvia Careddu, Stéphane-France Léger. Going off of the ISRC code of this track, we detected that the origin of this track is from France. The popularity of Istikhbar Mezmoum , Introduction à Mon cœur s'ouvre à ta voix, pour violon et violoncelle: Improvisation is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Istikhbar Mezmoum , Introduction à Mon cœur s'ouvre à ta voix, pour violon et violoncelle: Improvisation by Camille Saint-Saëns, Fettouma Ziouani, Rachid Brahim-Djelloul, Orchestre Divertimento, Zahia Ziouani is Vivace (lively and fast), since this song has a tempo of 169 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Orfeo ed Euridice, Wq. 30: Dance of the Blessed Spirits "Melody" (Arr. Sgambati for Piano) | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
| Allegro Appassionato Op. 43 | Camille Saint-Saëns, 欧阳娜娜, 江天霖 | E Minor | 1 | 9A | 127 BPM | ||
| Adagio in D Minor, BWV 974: II. Adagio | Johann Sebastian Bach, Alexandre Tharaud | D Minor | 0 | 7A | 65 BPM | ||
| 21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Johannes Brahms, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 0 | 8A | 104 BPM | ||
| String Quartet No. 2 in D Major: III. Notturno: Andante | Alexander Borodin, Budapest Haydn Quartet | A Major | 1 | 11B | 89 BPM | ||
| 6 Pezzi, P. 44: No. 6. Internmezzo-serenata | Ottorino Respighi, Konstantin Scherbakov | A Major | 0 | 11B | 83 BPM | ||
| 12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano) | Sergei Rachmaninoff, Sergei Babayan | A♭ Major | 0 | 4B | 78 BPM | ||
| Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto | Sergei Rachmaninoff, Arthur Rubinstein, Fritz Reiner, Chicago Symphony Orchestra | E Major | 0 | 12B | 64 BPM | ||
| Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM | ||
| Zapateado Op. 23 | Pablo de Sarasate, Sarah Chang, Charles Abramovic | A Major | 3 | 11B | 113 BPM | ||
| Un sospiro | Franz Liszt, Van Cliburn | D♭ Major | 1 | 3B | 63 BPM | ||
| 6 Pieces for Piano, Vol. 2: No. 4, La Valse d'Amélie | Lang Lang | C Major | 1 | 8B | 72 BPM | ||
| 3 Gymnopédies: No. 1, Lent et douloureux | Erik Satie, Khatia Buniatishvili | G Major | 0 | 9B | 79 BPM | ||
| The Carnival of the Animals: XIII, The Swan | Camille Saint-Saëns, Sarah Joy, Kathy Hohstadt | G Major | 1 | 9B | 126 BPM | ||
| Ancient Airs & Dances, Suite III, P. 172: I. Italiana (Anonymous) | Ottorino Respighi, Filarmonica della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
| Ravel: Pavane pour une infante défunte, M. 19 | Maurice Ravel, Bertrand Chamayou | E Minor | 0 | 9A | 126 BPM | ||
| Tales of Hoffmann: Barcarolle | Jacques Offenbach, Arthur Fiedler, Boston Pops Orchestra | D♭ Minor | 3 | 12A | 110 BPM | ||
| 13 Pieces, Op. 76: No. 2 Etude | Jean Sibelius, Håvard Gimse | A Minor | 2 | 8A | 72 BPM | ||
| Prelude in C Major, BWV 846 | Johann Sebastian Bach, Alistair McGowan | C Major | 1 | 8B | 122 BPM | ||
| Mozart: Requiem in D Minor, K. 626: VIII. Lacrimosa | Wolfgang Amadeus Mozart, Pierre Génisson, Bruno Fontaine | D Minor | 0 | 7A | 121 BPM | ||
| Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | E Major | 1 | 12B | 82 BPM | ||
| Masquerade Suite: Maskarad (Masquerade): I. Waltz | St. Petersburg State Symphony Orchestra, Aram Khachaturian | C Major | 3 | 8B | 94 BPM | ||
| Introduction and Rondo capriccioso in A Minor | Camille Saint-Saëns, Dong-Suk Kang, Polish National Radio Symphony Orchestra, Antoni Wit | A Minor | 1 | 8A | 91 BPM | ||
| Brook Green Suite: II. Air | Gustav Holst, English Sinfonia, Howard Griffiths | E♭ Major | 0 | 5B | 128 BPM | ||
| Suite for Cello and Orchestra, Op. 16: II. Sérénade (andantino) | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | G Minor | 0 | 6A | 141 BPM |