"Lorelei" by Craig Armstrong had its release date on November 17, 2015. With This song being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Victor Frankenstein (Original Motion Picture Score) by Craig Armstrong. The song's track number on the album is #16 out of 32 tracks. Based on our data, United States was the country where this track was produced or recorded. Lorelei is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Lorelei by Craig Armstrong has a tempo of 77 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Lorelei being at 77 BPM, the half-time would be 38 BPM with a double-time of 154 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Different Kinds Of Cry | Alexis Grapsas | B♭ Major | 0 | 6B | 84 BPM | ||
| Opening Titles (From The Motion Picture "Love Actually") | Craig Armstrong | C Major | 0 | 8B | 118 BPM | ||
| Dumbledore's Army | Nicholas Hooper | G Major | 1 | 9B | 80 BPM | ||
| Courage and Kindness | Patrick Doyle | G Major | 0 | 9B | 80 BPM | ||
| The Barn | Deborah Lurie | F♯ Major | 1 | 2B | 73 BPM | ||
| Hope (Xavier's Theme) | John Ottman, Jeffrey Schindler, American Federation of Musicians | A Minor | 1 | 8A | 132 BPM | ||
| Never Been Kissed | Craig Armstrong | G Minor | 2 | 6A | 84 BPM | ||
| Throw The Coins - Instrumental | Patrick Doyle, Robert Ziegler, Tony Hymas | F Major | 1 | 7B | 70 BPM | ||
| Kalida | Andrea Guerra | G Major | 1 | 9B | 103 BPM | ||
| I Won't Leave You | Clinton Shorter | D Major | 1 | 10B | 119 BPM | ||
| End Titles | Rachel Portman | E Minor | 2 | 9A | 122 BPM | ||
| Transformation | The Cinematic Orchestra, London Metropolitan Orchestra | F♯ Major | 2 | 2B | 92 BPM | ||
| My Edward and I (feat. Jack Liebeck) | Dario Marianelli, Jack Liebeck, Benjamin Wallfisch | F Major | 1 | 7B | 68 BPM | ||
| What I Really Wanted | Clinton Shorter | G Major | 1 | 9B | 117 BPM | ||
| Cloud Atlas Finale | Tom Tykwer, Johnny Klimek, Reinhold Heil | C Major | 2 | 8B | 97 BPM | ||
| Persuasion (From "Persuasion") [BBC 2007 Adaptation] | Regency Players | C Major | 1 | 8B | 100 BPM | ||
| Prelude: The Atlas March | Tom Tykwer, Johnny Klimek, Reinhold Heil | A Minor | 0 | 8A | 55 BPM | ||
| Trunk Greeting | Alex Heffes | E♭ Major | 0 | 5B | 51 BPM | ||
| The Book | Amelia Warner | A Minor | 3 | 8A | 120 BPM | ||
| Meeting Miriam | Carter Burwell | C Major | 2 | 8B | 67 BPM | ||
| Extremely Loud and Incredibly Close | Alexandre Desplat, Jean-Yves Thibaudet | A Minor | 0 | 8A | 79 BPM | ||
| Can You See Jane? | Patrick Doyle | E♭ Major | 1 | 5B | 65 BPM | ||
| The Great Misunderstanding | Craig Armstrong | D♭ Minor | 0 | 12A | 88 BPM | ||
| Emily's Chemo | Mark McKenzie | B♭ Major | 0 | 6B | 70 BPM | ||
| The Blue Whale | Steven Price | F♯ Minor | 3 | 11A | 112 BPM |