On June 26, 2025, the song "Ganpat Garava -1" was released by Prakash Mali. This song appears to be safe for all ages as it is not explicit. There are a total of 5 in the song's album "Prakash Mali Hits Bhajan -7". In this album, this song's track order is #4. Furthermore, we believe that the track originated from India. Ganpat Garava -1 is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Ganpat Garava -1 by Prakash Mali having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tumi Amar Pravu | Basudev Rajbongshi | A♭ Minor | 8 | 1A | 89 BPM | ||
| gunti khole ne bare kad binjara | Anita Jangid | A♭ Major | 6 | 4B | 100 BPM | ||
| Ke Kholi Kapat Kevadiya | Madan Rai | B Major | 10 | 1B | 125 BPM | ||
| Ishwar Tu Pan Chhe Vignani | Birju Barot | A Major | 9 | 11B | 106 BPM | ||
| बाबा रामदेव जी की आरती || | JBB STUDIO LIVE KOTA | F♯ Major | 4 | 2B | 175 BPM | ||
| Kavita Likhein Hazaar Tumaai | Deshraj Patairiya | E♭ Major | 7 | 5B | 159 BPM | ||
| Mharo Kun Rakhego Dhyan | Sanjay Pareek | D♭ Major | 5 | 3B | 150 BPM | ||
| Dudhacha Math Futla Kasa | Suryakant Shide | E Major | 8 | 12B | 62 BPM | ||
| Ghadi Ghadi Uthtoy | Milind Shinde | B Major | 6 | 1B | 94 BPM | ||
| Khimaj Mata | Shyam Paliwal | A Major | 7 | 11B | 91 BPM | ||
| Tukane Tuko Re Mai | Prakash Mali | B♭ Minor | 9 | 3A | 100 BPM | ||
| Majisa Maharanisa | Udaysingh Rajpurohit | G Major | 6 | 9B | 110 BPM | ||
| Hamre Piche Padal | Ramkhilawan | G Minor | 9 | 6A | 100 BPM | ||
| Biti Mahari Sone Ki Hoti | Seema Mishra | A♭ Major | 9 | 4B | 156 BPM | ||
| Jay Ganpati Jag Vandan | Dhiraj Kant | D♭ Major | 10 | 3B | 167 BPM | ||
| Je Roz Rusanday Ta Mehra | Fozia Soomro | D♭ Minor | 9 | 12A | 176 BPM | ||
| Le Le Re Khawar Bansi Wale | Hariram Gujjar | B Minor | 9 | 10A | 152 BPM | ||
| Mat Na Fode Re Kana | Hemraj Saini, Ramkumar Maluni | E Major | 9 | 12B | 99 BPM | ||
| Bolbona Go Ar Kono Din - 17 | Baul Sukumar | B♭ Minor | 6 | 3A | 90 BPM | ||
| Mhane Babe Ra Darshan | Gopal Bajaj | A♭ Major | 5 | 4B | 109 BPM | ||
| Thare Ghat Mein Biraje Bhagwan | Jagdish Palana | B♭ Minor | 7 | 3A | 120 BPM | ||
| Bhomiya Ho Raja | Bhoma Ram Panwar | C Minor | 9 | 5A | 112 BPM | ||
| Chete Kardi Hovengi | Davinder Kohinoor | B Minor | 6 | 10A | 96 BPM | ||
| Raja Banwa Dalo Baal Aise Me Lag Raho Bekar | JaiSingh Raja, Rani Kushwaha | F♯ Major | 8 | 2B | 151 BPM | ||
| Jin Din Janamiya Hansa | Prakash Mali | E♭ Minor | 8 | 2A | 84 BPM |