- BPM
- 106
- Key
- F Minor
- Camelot
- 4A
Macbeth: Overture (Preludio) by Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado Song Details
"Macbeth: Overture (Preludio)" by Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado had its release date on January 1, 1976. The duration of This song is about 3 minutes long, at 3:16. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Verdi: Macbeth by Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado. The song's track number on the album is #1 out of 31 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, Macbeth: Overture (Preludio) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
Since Macbeth: Overture (Preludio) by Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado has a tempo of 106 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Macbeth: Overture (Preludio) being at 106 BPM, the half-time would be 53 BPM with a double-time of 212 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 5/4.
Music Key
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 24%
- Loudness
- -19.455 dB
- Acousticness
- 92%
- Danceability
- 32%
- Energy
- 3%
- Instrumentalness
- 45%
- Liveness
- 9%
- Loudness
- 68%
- Speechiness
- 4%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Lucia di Lammermoor / Act 3: "Spargi d'amore pianto" | Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | C Major | 1 | 8B | 126 BPM | |
 | Verdi: Messa da Requiem: XI. Lacrymosa | Giuseppe Verdi, Riccardo Muti, Cheryl Studer, Coro Del Teatro Alla Scala Di Milano, Dolora Zajic, Luciano Pavarotti, Samuel Ramey, Orchestra Del Teatro Alla Scala, Milano | C Major | 2 | 8B | 114 BPM | |
 | Carmina Burana / 3. Cour d'amours: "Circa mea pectora" | Carl Orff, Dietrich Fischer-Dieskau, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | A Minor | 4 | 8A | 82 BPM | |
 | Norma (1997 Digital Remaster): Casta Diva | Maria Callas, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | F Major | 1 | 7B | 169 BPM | |
 | Les Sylphides: 7. Valse | Frédéric Chopin, National Philharmonic Orchestra, Richard Bonynge | D♭ Minor | 1 | 12A | 120 BPM | |
| Lucia di Lammermoor / Act 1: "Regnava nel silenzio" | Gaetano Donizetti, Dame Joan Sutherland, Huguette Tourangeau, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Minor | 1 | 6A | 86 BPM | |
 | Macbeth / Act 4: Gran Scena del Sonnambulismo: "Vegliammo invan due notti" | Giuseppe Verdi, Carlo Zardo, Stefania Malagu, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | D♭ Major | 0 | 3B | 95 BPM | |
 | Glazunov: Suite from Raymonda, Op. 57a: XI. Grand pas d'action. Grand adagio | Alexander Glazunov, José Serebrier, Royal Scottish National Orchestra | A Major | 2 | 11B | 90 BPM | |
 | Symphony In C Major: IV. Allegro Vivace | New Zealand Symphony Orchestra, Georges Bizet | G Major | 1 | 9B | 146 BPM | |
 | Overture "Light Cavalry" Ouverture "Die leichte Kavallerie" - Instrumental | Franz von Suppé, New York Philharmonic, Leonard Bernstein | A Major | 4 | 11B | 123 BPM | |
 | Carmen (1997 - Remaster), Act III: Quelques lignes plus bas | Georges Bizet, Maria Callas, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | D♭ Major | 2 | 3B | 88 BPM | |
 | Piano Concerto No. 23 in A Major, K. 488: II. Adagio | Wolfgang Amadeus Mozart, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini | F♯ Minor | 0 | 11A | 108 BPM | |
 | La Gioconda / Act 1: Preludio | Amilcare Ponchielli, National Philharmonic Orchestra, Bruno Bartoletti | F Major | 0 | 7B | 133 BPM | |
 | La traviata, Act II: Che fai? Nulla | Giuseppe Verdi, Plácido Domingo, Ileana Cotrubas, Bavarian State Orchestra, Carlos Kleiber | F Major | 3 | 7B | 89 BPM | |
 | Skazaniye o nevidimom grade Kitezhe i deve Fevronii (Legend of the Invisible City of Kitezh and the Maiden Fevroniya): Prelude. In praise of the wilderness | Nikolai Rimsky-Korsakov, Mikhail Kazakov, Vitaly Panfilov, Tatiana Monogarova, Mikhail Gubsky, Gevorg Hakobyan, Marika Gulordava, Riccardo Ferrari, Stefano Consolini, Valery Gilmanov, Alexander Naumenko, Rosanna Savoia, Elena Manistina, Cagliari Theatre C | B Minor | 0 | 10A | 102 BPM | |
 | Die Zauberflöte, K. 620: Overture | Wolfgang Amadeus Mozart, Mahler Chamber Orchestra, Claudio Abbado | E♭ Major | 1 | 5B | 85 BPM | |
| Macbeth / Act 4: Una macchia è qui tuttora | Giuseppe Verdi, Stefania Malagu, Shirley Verrett, Carlo Zardo, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | D♭ Major | 0 | 3B | 82 BPM | |
 | Bizet: Carmen, WD 31, Act 3: Entr'acte | Georges Bizet, Michel Plasson, Orchestre National Du Capitole De Toulouse | D Minor | 1 | 7A | 113 BPM | |
 | Glück: I. Andante | Siegfried Wagner, Rundfunk-Sinfonieorchester Frankfurt, Dimitrij Kitajenko | A Minor | 0 | 8A | 86 BPM | |
 | Il Trovatore / Act 1: "Tacea la notte" - "Quanto narrasti di turbamento" | Giuseppe Verdi, Joan Sutherland, Norma Burrowes, National Philharmonic Orchestra, Richard Bonynge | A♭ Major | 1 | 4B | 165 BPM | |
 | Lohengrin, WWV 75, Act III: Prelude | Richard Wagner, Wiener Philharmoniker, Claudio Abbado | D Major | 1 | 10B | 94 BPM | |
 | Eugene Onegin, Op. 24, TH. 5 / Act II: (Scene 1) Entr'acte and Waltz With Chorus. "Vot tak syurpriz!" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Thomas Allen, Jürgen Hartfiel, Staatskapelle Dresden, James Levine, MDR Leipzig Radio Chorus | E Minor | 2 | 9A | 78 BPM | |
| Overture "Poet and Peasant" Ouverture "Dichter und Bauer" - Instrumental | Franz von Suppé, New York Philharmonic, Leonard Bernstein | D Major | 2 | 10B | 161 BPM | |
 | Giselle, ou les Wilis, Acte II : No. 11, Apparition de Giselle. | Orchestre De La Société Des Concerts Du Conservatoire | E♭ Major | 4 | 5B | 117 BPM | |
 | Die Fledermaus / Act II: Polka "Unter Donner und Blitz", Op. 324 | Johann Strauss II, Bavarian State Orchestra, Carlos Kleiber | G Major | 7 | 9B | 89 BPM |
- ISRC
- DEF057631201
- Label
- L-M Records/RCA Records